Digital audio workstation (DAW) as a platform of creative musical performance experience

Aiman Ikram Uyub

QR Code Link :
Type :	article
Subject :	MT Musical instruction and study LB Theory and practice of education
Main Author :	Aiman Ikram Uyub
Title :	Digital audio workstation (DAW) as a platform of creative musical performance experience

Place of Production :	Tanjong Malim
Publisher :	Fakulti Muzik dan Seni Persembahan
Year of Publication :	2022
Corporate Name :	Universiti Pendidikan Sultan Idris

Abstract : Universiti Pendidikan Sultan Idris

The future of world development seems to be influenced and around by the practice of technology as daily basis. Data by Simon Kemp with the Kepios Team of Data Reportal (Kemp, 2021) shows that there are over 3 billion smart phones, gadgets and 4.80 billion users of internet globally and the numbers continue to growth. Without any doubt we can all agree that technology has now become a ‘need’ for every sectors (Nicklin, Velikova, Boele, 2020). The art and education sectors that persist a ‘human touch’ and verbal communication has now begun to fluctuate impacted by the practice of technology. As the global begin to develop, the culture also developed (Sudirana, 2020). Current situation of art and education has now developed and technology-based practice are now critically required in order to practice social distancing due the pandemic of covid 19, especially here in Malaysia. This study will look into the implementation of digital audio workstation (DAW) as a platform of creative musical experience in education and also creative process.

References

Andrew King, E. H. (2017). Music, Technology, and Education. Routledge.

Burland, K., & Pitts, S. (2012). Rules and expectations of jazz gigs. Social Semiotics, 22(5), 523-543.

Hecker, T. (2008). Glenn Gould, the Vanishing Performer and the Ambivalence of the Studio. Leonardo Music Journal, 77-83.

Huber, D. M., & Runstein, R. E. (2010). Modern recording techniques. Elsevier, Burlington, Mass.

Kemp, S. (2021, July). Digital Around the World. Didapatkan dari Datareportal: https://datareportal.com/global-digital-overview.

Meyer, J. (2009). Acoustics and the Performance of Music. German: Springer Science.

Ministry of International Trade and Industry. (2018). Industry 4WRD - National Policy on Industry 4.0. Retrieved from Official Portal of the Ministry of International Trade and Industry: https://www.miti.gov.my/miti/resources/National%20Policy%20on%20Industry%204.0/Industry4WRD_Final.pdf

Nicklin, E., Velikova, G., & Boele, F. (2020). Technology is the future, but who are we leaving behind? The Lancet Oncology, 21(1), 29.

Sudirana, I. W. (2020). Answering Questions, Questioning Answers: Understanding Tradisi and Moderen in the Intellectual Process of Baliinese New Music Creations. Malaysian Journal of Music, 1-16.

Tischmeyer, F. (2008). Internal Mixing. Friedemann Tischmeyer

This material may be protected under Copyright Act which governs the making of photocopies or reproductions of copyrighted materials.
You may use the digitized material for private study, scholarship, or research.

Back to previous page