UPSI Digital Repository (UDRep)
Start | FAQ | About
Menu Icon

QR Code Link :

Type :article
Subject :PN2000 Dramatic representation. The Theater
Main Author :Andika Aziz Hussin
Additional Authors :Addley Bromeo Bianus
Title :Hybrid theatre an adaptation of performing techniques in the efforts to preserve the art of theatre performance Post COVID-19
Place of Production :Tanjong Malim
Publisher :Fakulti Muzik dan Seni Persembahan
Year of Publication :2022
Corporate Name :Universiti Pendidikan Sultan Idris

Abstract : Universiti Pendidikan Sultan Idris
The pandemic of COVID-19 and the Movement Control Order (MCO) have opened up the minds of local theatre players to be more creative in applying the suitable medium in showcasing their creative performances. Thus, emerged various forms of virtual theatre known as ‘online theatre’. No one ever imagined that theatre performances would be performed online but now, it is a practical approach in ensuring the sustainability of the theatre art itself. However, various questions arose about online theatre in Malaysia, such as, confusion with the understanding of the terms, forms and concepts of the performance. This study and writing is based on the online theatre performance—’Sel Akhir’ by the Seni Ceritera Association and King Lear by the KL Shakespeare Players (KLSP). The authors used observation and comparison methods to explain the approach used by these two presentations and propose to our Malaysian theatre players an adaptation method of online performance that suits the current capabilities and requirements, known as hybrid theatre. Keywords: adaptation, COVID-19, hybrid theatre, online theatre

References

Amber Witka. (2016). The difference between live theatre and film. https://www.theodysseyonline.com

Arifa Akbar. (2020). The next act: how the pandemic is shaping online theatre’s future. The Guardian. https://www.theguardian.com

Bordwell, D., Thompson, K. & Smith, J. (2017). Film art: An introduction (11th ed.). McGraw-Hill Higher Education.

Centre for the Study of Media and Culture in Small Nations. (2020). Online theatre and performance: Making social-distancing live theatre and performance during the Covid-19 lockdown. University of South Wales Profysgol De Cymru. https://culture.research.southwales.ac.uk/

Cornici, A. (2021). Hamlet – To be or not to be and the television theater. Review of Artistic Education, 21(1), 157-163. https://doi.org/10.2478/rae-2021-0019

Fazilah Hussin. (2010). Teater Melayu: Teks dan eksperimentasi. Dewan Bahasa dan Pustaka.

Iacobuţe, R. (2020). The theater and the pandemic: The theater in a zoom or facebook window. Theatrical Colloquia, 10, 133-137.

Kantilaftis, H. (2015). Stage vs screen: What’s the big difference? New York Film Academy. https://www.nyfa.edu/

Lilley, M. (2020). Has 2020 given us a new hybrid model of performances? Theatre art life: The global media site for entertainment. https://www.theatreartlife.com/

Mercado, Gustavo. (2010). The Filmmaker’s eye: Learning (and breaking) The rules of cinematic composition. Elseiver Focal Press.

Papagiannouli. C. (2016). Political cyberformance. Palgrave Macmillan.

Radulescu, C. (2018). Towards a hybrid theatre. https://doi.org/10.2478/tco-2018-0006

Shiach, D. (1995). From page to performance: A study book for drama. Cambridge University Press

 


This material may be protected under Copyright Act which governs the making of photocopies or reproductions of copyrighted materials.
You may use the digitized material for private study, scholarship, or research.

Back to previous page

Installed and configured by Bahagian Automasi, Perpustakaan Tuanku Bainun, Universiti Pendidikan Sultan Idris
If you have enquiries, kindly contact us at pustakasys@upsi.edu.my or 016-3630263. Office hours only.