|
UPSI Digital Repository (UDRep)
|
|
| ||||||||||||||||||||
| Abstract : Universiti Pendidikan Sultan Idris |
| Hindu religious ceremonies continue to be performed in Bali throughout the ages. A ceremony cannot be completed
perfectly without the presence of the Kidung (hymn/sacred song), an integral component that cannot be separated.
The implementation of the Yadnya ceremony is connected to the ceremony’s purpose. Panca Yadnya refers to these
five types of ceremonies, divided by domain into Dewa Yadnya (ceremonies for Gods), Bhuta Yadnya (ceremonies
for Bhutakala/demon), Rsi Yadnya (ceremonies for Mahaguru, Rsi, or parents/teachers), Pitra Yadnya (ceremonies
for the deceased), and Manusa Yadnya (ceremonies for human’s life). The selection of the type of Kidung (hymn)
adapts to the five domains of the relevant Yadnya, considering the various types of Kidung with text selection for
context. Several supporting factors refer to the concept of tatwa, morals, and procedures both philosophically,
technically, and contextually. The Kidung is sung with full regard for propriety, which is believed to strengthen the
spiritual ascent in achieving sidakarya and sidapurnanya (perfectly done) by performing the Yadnya ceremony as
an expression of offerings.
Keywords: Kidung, Hindu temple performances in Bali, sacred music, Yadnya |
| References |
Agastia, I. B. G. (1987). Sagara Giri: Kumpulan esei sastra Jawa kuno. Wyasa Sanggraha. Agastia, I. B. G. (2008). Ida Pedanda Wanasara Bramara Sangupati. Yayasan Dharma Sastra. Bhagawad Gita. (n.d.). Pancama Weda. Paramita. Djelantik, A. A. M. ( 1990). Pengantar dasar ilmu estetika, Jilid I, Estetika Instrumental. Indonesian College of Arts (STSI) Denpasar. Hinzler, H. (1981). Bima Swarga in Balinese Wayang. Brill. Koentjaraningrat, R. M. (1987). Sejarah teori antropologi I. Universitas Indonesia (UI- Press). Laksmi, Desak Made Suarti. (2007). Kidung manusa Yadnya: Teks dan konteksnya dalam masyarakat Hindu di Bali. Department of Karawitan, Faculty of Performing Arts, Indonesian Art Institute, Denpasar. Laksmi, Desak Made Suarti. (2022a). Pemahaman dan strategi pembinaan Kidung keagamaan Hindu di Kota Denpasar. Fakultas Seni Pertunjukan, Indonesian Art Institute Denpasar Collaborating with the Citta Usadhi Art Studio, Badung Regency. Laksmi, Desak Made Suarti. (2022b). Imba Kidung Yadnya (Dharmagita). CV Karya Ranah Baru Collaborating with the Citta Usadhi Art Studio, Badung Regency. Purwadarmita, W. J. S. (1987). Kamus Umum Bahasa Indonesia. Balai Pustaka Sanjaya, P. (2008). Acara agama Hindu. Paramita. Sudirana, I. W. (2013). Gamelan gong luang: Ritual, time, place, music, and change in a Balinese sacred ensemble. [Doctoral Dissertation, University of British Columbia]. https://open.library.ubc.ca/soa/cIRcle/collections/ubctheses/24/items/1.0071979 Teeuw, A. (2013). Sastra dan ilmu sastra: Pengantar teori sastra. PT. Dunia Pustaka Jaya. Tim Penyusun. (1990). Kamus Besar Bahasa Indonesia. Balai Pustaka. Vickers, A. (1989). Bali: A paradise created. Periplus Edition. Waesberghe S. J., F. H. Smits van. (2016). Estetika musik. Thafa Media. Warna, I Wayan. (1988). Arjuna wiwaha. Bali Provincial Elementary Education Office. Yuda Triguna, I. B. G. (2003). Estetika Hindu dan pembangunan Bali. The Masters Program in Religion and Culture at the Universitas Hindu Indonesia collaborates with Widya Dharma Publishers Zoetmulder, P. J. & Robson, S. O. (2011). Kamus Jawa kuno Indonesia. PT Gramedia Pustaka Utama |
| This material may be protected under Copyright Act which governs the making of photocopies or reproductions of copyrighted materials. You may use the digitized material for private study, scholarship, or research. |