UPSI Digital Repository (UDRep)
Start | FAQ | About
Menu Icon

QR Code Link :

Type :article
Subject :ML Literature of music
ISSN :1411-5115
Main Author :Muchammad Bayu Tejo Sampurno
Title :Art discourse in modern fine arts in Surabaya: An analytical historical research
Place of Production :Tanjung Malim
Publisher :Fakulti Muzik dan Seni Persembahan
Year of Publication :2023
Notes :Harmonia: Journal of Arts Research and Education
Corporate Name :Universiti Pendidikan Sultan Idris
HTTP Link :Click to view web link

Abstract : Universiti Pendidikan Sultan Idris
This research aims to understand the art discourse that is the foundation for developing modern fine arts in Surabaya. Art discourse represents the fundamental ideas behind the creation of art-works, which are developed and dialectically discussed within the context of the art ecosystem in Surabaya. The research design is based on an analytical, historical research method with a socio-historical approach. The findings reveal the existence of continuity and change in art discourse from the Aksera generation (Academy of Fine Arts Surabaya) in the 1970s to the post-Aksera generations, namely the 1980s and 1990s generations. Three bases of art discourse emerged as the core expressions of aesthetics in modern fine arts in Surabaya during the 1970s to 1990s: 1. The discourse of nationalism (identity) underlies the art discourse of the Aksera generation; 2. The discourse of the market (commodification of art) becomes the main concern of the 1980s gen-eration; 3. The social-political discourse serves as the platform for the art discourse of the 1990s generation. These three discourses demonstrate similarities and differences within the context of art discourse that evolved in modern fine arts in Indonesia. 2023, Universitas Negeri Semarang. All rights reserved.

References

Agger, B. (2003). Teori Sosial Kritis (Terj. Nurhadi). Kreasi Wacana.

Antoinette, M. (2020). Vanishing acts: remembering 5th Passage in Singapore’s contemporary art history (a story about making art public). World Art, 10(2–3), 323–350. https://doi.or g/10.1080/21500894.2020.1810753

Antoinette, M., & Maravillas, F. (2020). Positioning contemporary art worlds and art publics in Southeast Asia. World Art, 10(2–3), 161–189. https://doi.org/10.1080/21500894.2020.1821761

Becker, H. S. (1982). Art Worlds. University of California Press. Berger, P. L. (1990). Revolusi Kapitalis (Terj. Mohamad Oemar). LP3ES.

Burhan, M. A. (2003). Seni Rupa Modern Indonesia: Tinjauan Sosiohistoris. In Aspek-aspek Seni Visual Indonesia,Politik dan Gender. Yayasan Seni Cemeti.

Burhan, M. A. (2008). Perkembangan Seni Lukis Mooi Indie sampai Persagi di Batavia 1900-1942. Galeri Nasional Indonesia.

Burhan, M. A. (2013). Seni Lukis Indonesia Masa Jepang sampai Lekra. UNS Press.

Burke, P. (2003). Sejarah dan Teori Sosial (Terj. Mestika Zed & Zulfami). Yayasan Obor Indonesia.

Carretero, M., Berger, S., & Grever, M. (Eds.). (2017). Palgrave Handbook of Research in Historical Culture and Education. Palgrave Macmillan.

Chountasi, M., Dafiotis, P., & Sylaiou, S. (2021). Newness and openness in new media arts and digital performances: contextualizing Greece in the Balkan scene. International Journal of Performance Arts and Digital Media, 17(3), 316–335. https://doi.org/10.1080/14794713.2020.1856552

Chua, K. (2011). On teaching modern and contemporary Southeast Asian art. Third Text, 25(4), 467–473. https://doi.org/10.1080/09528822.2011.587947

Codell, J. (2018). Private Collecting, Exhibition and the Shaping of Art History in London: The Burlington Fine Arts Club, by Stacey J. Pierson. Visual Resources, 34(3–4), 440–445. https://doi.org/10.1080/01973762.2018.1432207

Craib, I. (1984). Teori-teori Sosial Modern dari Parsons sampai Habermas (Terj. Paul S. Baut dan T. Effendi). CV. Rajawali.

Dermawan T, A. (1994). Galeri di Indonesia, Antara Bisnis dan Apresiasi. In The Jakarta International Fine Arts Exhibition 1994. Yayasan Seni Rupa Indonesia.

Dermawan T, A. (2003). Seni Rupa Indonesia dan Gelombang Ekonomi. In Aspek-Aspek Seni Visual Indonesia: Paradigma dan Pasar. Yayasan Seni Cemeti.

Djatiprambudi, D. (1994). Terjebak Dalam Kondisi Steriotipe. Galeri DKS 26 Desember 1994 – 4 Januari 1995.

Djatiprambudi, D. (2009). Komodifikasi Seni Rupa Kontemporer Indonesia: Basis Sosial Historis, Struktur dan Implikasinya. Institut Teknologi Bandung.

Djatiprambudi, D. (2019). Indonesia Painting Market in Surabaya: Urban Lifestyle Perspektive. In D. Djatiprambudi (Ed.), Seni Rupa Indonesia dalam Titik Simpang (2nd ed.). SatuKata.

Fernie, E. (1995). Art History and Its Methods. Phaidon.

Hauser, A. (1985). The Sociology of Art (Translated by Kenneth J. Northcott). The University of Chicago Press.

Isbandi, R. (1975). Perkembangan Seni Lukis di Surabaya sampai 1975. Dewan Kesenian Surabaya.

Jones, T. (2018). International intangible cultural heritage policy in the neighbourhood: an assessment and case study of Indonesia. Journal of Cultural Geography, 35(3), 362–387. https://doi.org/10.1080/08873631.2018.1429351

Kartodirdjo, S. (2016). Pendekatan Ilmu Sosial dalam Metodologi Sejarah. Ombak.

Kuntowijoyo. (1994). Metodologi Sejarah. PT Tiara Wacana.

Kuntowijoyo. (1995). Pengantar Ilmu Sejarah. Yayasan Bentang Budaya.

Lombard, D. (2008a). Nusa Jawa: Silang Budaya (Batas-Batas Pembaratan). Gramedia Pustaka Utama.

Lombard, D. (2008b). Nusa Jawa: Silang Budaya (Warisan Kerajaan-kerajaan Konsentris). Gramedia Pustaka Utama.

Nurcahyo, H. (1998). Problematika Seni Lukis Kontemporer. Dinas P dan K Propinsi Jawa Timur.

Nurcahyo, H., & Mamannoor. (2001). Ambang Cakrawala Seni Lukis Amang Rahman Jubair. Yayasan Kembang Jati.

Patria, N., & Arief, A. (1999). Antonio Gramsci Negara dan Hegemoni. Pustaka Pelajar.

Resobowo, B. (2004). Bercermin di Muka Kaca: Seniman, Seni, dan Masyarakat. Ombak.

Romain, J. (2016). “All art is part of the same constellation”: A conversation on craft and artistic practice with heri dono. Journal of Modern Craft, 9(2), 183–191. https://doi.org/10.1080/17496772.2016.1205282

Sampurno, M. B. T. (2023). Critics of the Tendency of Art Education for Autistic Children in Indonesia. ARTSEDUCA, 35 SE-Experiencias Educativas, 121–133. https://doi.org/10.6035/artseduca.7107

Sandler, I. (1996). Art of Postmodern Era, From the Late 1960s. Harper Collins Publisher Inc.

Spanjaard, H. (2018). Cita-cita Seni Lukis Indonesia Modern 1900-1995: Sebuah Kreasi Identitas Kultural Nasional (Terjemahan Iswahyudi). Ombak.

Taylor, N. A., & Zitzewitz, K. (2018). History as Figure of Thought in Contemporary Art in South and Southeast Asia. Art Journal, 77(4), 46–48. https://doi.org/10.1080/00043249.2018.1549875

Trafi-Prats, L. (2010). Art Historical Appropriation in a Visual Culture-based Art Education. Studies in Art Education, 50(2), 152–166.

Wolff, J. (1983). Aesthetics and The Sociology of Art. George Allen & Unwin Ltd.


This material may be protected under Copyright Act which governs the making of photocopies or reproductions of copyrighted materials.
You may use the digitized material for private study, scholarship, or research.

Back to previous page

Installed and configured by Bahagian Automasi, Perpustakaan Tuanku Bainun, Universiti Pendidikan Sultan Idris
If you have enquiries, kindly contact us at pustakasys@upsi.edu.my or 016-3630263. Office hours only.