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Abstract : Perpustakaan Tuanku Bainun |
Due to the ambivalent connotations propagated by print media, it is challenging to
define the identity and positionality of Singapore dance hostesses. Since the advent of
commercial dance halls in the 1930s, Singapore dance hostesses as a distinct social
group has been subjected to public criticism for their sexualized image. At the same
time, they have also established a positive social image for their enthusiastic dedication
to social causes. This essay attempts to reconstruct Singapore dance hostesses of the
postwar period from news articles and archives, discovering the historical and social
features of the dance hostesses, and to observe the various dilemmas brought about by
the ambiguity of dance hostesses’ social identity, and exploring the process of their selfempowerment.
Keywords: postwar period, Singapore dance hostesses, yellow culture,
empowerment |
References |
Adeline Foo, Lancing Girls of Happy World , Sing a pore: Ethos Books, 2007 王振春,《狮城老街故事》 新加坡:玲子传媒 2 015 。 潘 星华主编 《消失的华校:国家永远的资产》 新加坡:华校校友会联合会 2 014 。 二 、 期刊论文 范若兰,〈从人口普查看 20 世纪上半叶 马来亚华人妇女经济参与的变化〉,《南 洋 问题研究》, 2004 年第 1 期,页 17 2 6 。 范若兰,〈自强不息的女性:理发女、女招待、舞女 战前新马华人妇女素描 之三〉,《八桂侨刊》, 2003 年第 5 期,页 17 28 。 Phyllis Ghim Lian Chew, “The Si ngapore Council of Women and the Women's Movement”, Journal of Southeast Asian Studies , Vol.25, No.1 1994), p.11 2 140 三、 档案馆资料 C hang Lye Lye. National Archives of Singapore, Oral History Centre interview. Accession number 002465. Reel 5. O ng Siew P eng. National Archives of Singapore, Oral History Centre interview. Accession number 001210. Reel 12. Tan Mui Kwang. Na tional Archives of Singapore, Oral History Centre interview. Accession number 002916. Reel 1. |
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