UPSI Digital Repository (UDRep)
Start | FAQ | About

QR Code Link :

Type :article
Subject :HT Communities. Classes. Races
Main Author :Hanafi Hussin
Additional Authors :Chayuti Tassanawongwara
Title :Klong yao and the performance of minority identity in the Siamese community of Perlis, Malaysia
Place of Production :Tanjong Malim
Publisher :Fakulti Muzik dan Seni Persembahan
Year of Publication :2019
Corporate Name :Universiti Pendidikan Sultan Idris
PDF Full Text :Login required to access this item.

Abstract : Universiti Pendidikan Sultan Idris
The klong yao performance in the Siamese communities of Perlis was adopted from the Thai community in Central Thailand. Before this adoption, the ethnic consciousness of the Siamese communities was oriented towards a local variation of Thai-ness with similarities to southern Thai people in terms of linguistic and geopolitical references. After the klong yao was actively included in their cultural practices, the Siamese communities began to develop a representative identity that reinforced Central Thai cultural expressions. In this respect, the performance of klong yao reconstructs the identity of the Siamese communities in Perlis, Malaysia toward a Central Thai identity. The shift from a local and marginalised type of Siamese identity to a hegemonic and centralised Thai identity is observed with the choice to use klong yao as a representation of their identity during Malaysia’s various occasions for showcasing cultural performances.

References

Amnauysuntikul, P. (2008). Musical study and development of making votive offering ceremony of HOUNG POR TO Wat Satue Tharue Pranakornsri Ayutthaya. (Unpublished master’s thesis). Srinakharinwirot University, Bangkok, Thailand.

Aryuwatthana T. (1974). Thai Nai Malaysia (Thai in Malaysia). Bangkok: Bannakit Press.

Buranakiatsakul, P. (2012). The research on ‘homrong klong yao’ a composition for long drum overture composed by Pra Part Banleng-Rom (Pim Watin) is a case study of Kru Songmuang Phanturut group. Unpublished masters thesis. Srinakharinwirot University, Bangkok, Thailand.

Burke, P. J., & Stets, J. E. (2009). Identity theory. New York, NY: Oxford University Press.

Chuthawichit, Y. & Yodmalee, B. & Poklin, S. (2014). The conservation and development of Isan long-drum performances to promote local culture. Asian Culture and Histories Journal, 6(2), 91-195.

Eriksen, T. H. (2010). Ethnicity and nationalism (3rd ed.). London: Pluto Press.

Hall, D. G. E. (1981). A history of South-east Asia (4th ed.). London, UK: The Macmillan Press Ltd.

Johnson, I. C. (2004). The people with two kings: Space, history and mobility in a Malaysian Thai community. Harvard Universit Doctoral dissertation. Available from ProQuest Dissertation & Theses database. (UMI No. 3131877)

Matusky, P. (1993). Malaysian shadow play and music continuity of an oral tradition. Kuala Lumpur: Oxford University Press.

Narkseetong, P.& Putthichot, A. (2012). ??????????????????????????????????? ????????:?????????????????? ??????? ?.?. ???? - ???? (Satanapap Chumchon lea Kon ChueThai Nai Pahusangkom Malaysia: KoraneeSuksa Rat Kedah rawang p.s. 2452-2550) Journal of Manussayasart Sangkomsart, Thaksin University, 2.

Numnonda, T. (1978). Pibulsongkram’s Thai Nation-Building Programme during the Japanese Military Presence, 1941-1945. Journal of Southeast Asian Studies, 9 (2), 234-247.

Pitupumnak, K. (2018). Paradigm for the development of a Lanna music curriculum in Higher Education in Northern Thailand. Malaysian Journal of music, 7(1), 38-57.

Ross, L. (2011). The hybrid melodic and textual repertoires of Southwest Thailand’s Rong Ngeng Tanyong. Proceeding of the 1st Symposium of the ICTM Study Group on Performing Arts of Southeast Asia, Kuala Lumpur: Nusantara Performing Arts Center.

Ryoko, N. (2005). A way of negotiating with the other within the self: Muslim’s acknowledgment of Buddhist ancestors in Southern Thailand, 3. Retrieved from http://www.unimuenster.de/Ethnologie/South_Thai/working_paper/Nishii_Negotiation.pdf

Schechner, R. (2003). Performance theory. London and New York, NY: Routledge.

Winichakul, T. (1994). Siam mapped: A history of the geo-body of a nation. Hawaii: University of Hawaii Press.

Wirunha, C. (2551). ????????? : ???????????????????????????????????? (Bungaraja: Prawattisart Jak Kambork-law Kong Chao Malayu ). Bangkok: Sakdisopa Press.

Wisuttipat, M. (2016). The theoretical concepts on Thai classical music. Bangkok: Santisiri Press.


This material may be protected under Copyright Act which governs the making of photocopies or reproductions of copyrighted materials.
You may use the digitized material for private study, scholarship, or research.

Back to previous page

Installed and configured by Bahagian Automasi, Perpustakaan Tuanku Bainun, Universiti Pendidikan Sultan Idris
If you have enquiries with this repository, kindly contact us at pustakasys@upsi.edu.my or Whatsapp +60163630263 (Office hours only)