UPSI Digital Repository (UDRep)
|
|
|
Abstract : Universiti Pendidikan Sultan Idris |
It is important for music teachers to reflect on the influence of their role during lessons. However, the roles of teachers, and expectations from both teachers and parents are often unclear, resulting in role confusion on both sides. The purpose of this collective case study is to describe and understand the expectations of both parents and teachers of the teacher’s role in group music lessons for pre-school children in the Klang Valley1of West Malaysia. Two semi-structured interviews were conducted with ten parents and three teachers of three group music classes for pre-school children. This study situates role theory as a conceptual framework to explore the perspectives of parents and teachers on the expected roles of teachers in group music lessons. Five broad categories of themes emerged, namely parent-teacher perspectives on teachers’ roles asmulti-faceted professionals, authorities on music, entrepreneurs, mentors and communicators. A novel finding showed that teachers in West Malaysia play the role of entrepreneurs. Teachers are expected to be customer service providers, even babysitters, and are also expected to be generous with their time, which influences their entrepreneurship. The paper argues that role theory is a helpful tool in order to help teachers to understand how their roles play out in West Malaysia and how an understanding of their roles can help teachers to clarify the many expectations placed on them.
|
References |
Ang, K., Panebianco, C., & Odendaal, A. (2019). Parent-teacher partnerships in group music lessons: A collective case study. British Journal of Music Education. https://doi.org/10.1017/S026505171900024X Ballantyne, J., Kerchner, J. L., & Aróstegui, J. L. (2012). Developing music teacher identities: An international multi-site study. International Journal of Music Education, 30(3), 211–226. https://doi.org/10.1177/0255761411433720 Biddle, B. J. (1979). Role theory: Expectations, identities, and behaviors. New York, NY: Academic Press. Bouij, C. (2004). Two theoretical perspectives on the socialization of music teachers. Action, Criticism, and Theory for Music Education, 3(3), 1–14. http://act.maygroup.org/articles/Bouij3_3.pdf Bukantait?, D., & Kubili?t?, M. (2015). Factors which motivate music teachers’ training in their working environment. Applied Research in Health & Social Sciences: Interface & Interaction / Sveikatos Ir Socialiniu Mokslu Taikomieji Tyrimai: Sandura Ir Saveika, 12(1), 24–32. https://doi.org/10.1515/arhss-2015-0004 Cain, T. (1985). Teacher as guide: The teacher’s role in the secondary school music lesson. British Journal of Music Education, 2(1), 5–18. https://doi.org/10.1017/S0265051700004575 Cheong, K. W. (2018). Understanding the pull motivations of Malaysian women music teachers as music entrepreneurs. Malaysian Journal of Music, 7, 78-99. Cramer, K. M., Million, E., & Perreault, L. A. (2002). Perceptions of musicians: Gender stereotypes and social role theory’. Psychology of Music 30 (2), 164–74. https://doi.org/10.1177/0305735602302003 Creech, A. (2009). Teacher-pupil-parent triads: A typology of interpersonal interaction in the context of learning a musical instrument. Musicae Scientiae, 13(2), 387–413. https://doi.org /10.1177/102986490901300208 Creech, A., & Hallam, S. (2009). Interaction in instrumental learning: The influence of interpersonal dynamics on parents. International Journal of Music Education, 27(2), 94–106. https://doi.org/10.1177/0255761409102318 Creswell, J. W. (2013). Qualitative Inquiry and Research Design: Choosing Among Five Approaches (3rd ed.). Thousand Oaks: SAGE Publications, Inc. Dwyer, R. (2015). Unpacking the habitus: Exploring a music teacher’s values, beliefs and practices. Research Studies in Music Education, 37(1), 93–106. https://doi.org/10.1177/1321103X15589260 Fischler, G. L. (2007). Actual and ideal roles of music teachers in community schools of the arts pertaining to community, school, and the profession (Doctoral dissertation). Retrieved from http://hdl.handle.net/10150/195791 Isbell, D. S. (2015). The socialization of music teachers. UPDATE: Applications of Research in Music Education, 34(1), 5–12. https://doi.org/10.1177/8755123314547912 Jorgensen, E. R. (2011). Pictures of Music Education. Bloomington: Indiana University Press. Kallio, A. A. (2015). Factional stories: Creating a methodological space for collaborative reflection and inquiry in music education research. Research Studies in Music Education, 37(1), 3-20. https://doi.org/10.1177/1321103X15589261 Leong, K. Y. G. (2008). Love it, love it not: Parental attitudes regarding children’s music learning in Kuala Lumpur (Bachelor’s dissertation). University of Sydney. Retrieved from https://ses.library.usyd.edu.au/handle/2123/3993 McPherson, G. E. (1995). The assessment of musical performance: Development and validation of five new measures. Psychology of Music, 23(2), 142–161. https://doi.org/10.1177/0305735695232003 Miksza, P. (2007). Musician/performer role conflict. In J. W. Scheib (Ed.), Roles, identity, socialization, and conflict: The transition from music student to music teacher (a literature review) (44–49). Society for Music Teacher Education (SMTE). Mills, J. (1991). Assessing musical performance musically. Educational Studies 17(2), 173–81. https://doi.org/10.1080/0305569910170206. Music Teachers National Association. (2004). ‘What a Nationally Certified Teacher of Music (NCTM) Should Know and Be Able to Do’, (2004). Retrieved October 26, 2018, from https://certification.mtna.org/Certification/Explore_Certification/Standards/Certification/Explore/Standards.aspx?hkey=67dc5659-7120-4ffc-bf50-c8a665a4ee3b. Saldaña, J. (2016). The coding manual for qualitative researchers. London: SAGE Publications Limited. Scheib, J. W. (2003). Role stress in the professional life of the school music teacher: A collective case study. Journal of Research in Music Education 51(2) 124–136. https://doi.org/10.2307/3345846 Stake, R. E. (1995). The art of case study research. Thousand Oaks: SAGE. Swanwick, K. (2008). The ‘good-enough’ music teacher. British Journal of Music Education, 25(1), 9–22. https://doi.org/10.1017/S0265051707007693 Turner, R. H. (2002). Role theory. In J.H. Turner (Ed.), Handbook of Sociological Theory (pp. 233–254). New York, NY: Plenum Publishers.
|
This material may be protected under Copyright Act which governs the making of photocopies or reproductions of copyrighted materials. You may use the digitized material for private study, scholarship, or research. |