UPSI Digital Repository (UDRep)
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UPSI Digital Repository (UDRep)
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| Abstract : Universiti Pendidikan Sultan Idris |
| The dance style known as Bharatanatyam has its origins in cultural heritage and is still
practiced, trained, and demonstrated in a variety of forms. Malaysia is usually described
as a particularly multicultural and multireligious secular state dominated by Muslims.
This study focuses on diverse dancers, their progression in Bharatanatyam, and their
contributions to completing Arangetram. Learning a pure dance based solely on nritta
is simple for all cultures to learn Bharatanatyam. When a person advances to the next
level of Bharatanatyam, Arangetram, it will be challenging for them if they are from
another culture. Padam, Varnam, and Shabdam, which are solo expressive dances
formed of emotions that invoke rasa, would be difficult for non-Indian bodies to do (a
taste of spiritual happiness). This research explains how non-Indian bodies embody
spirituality or Indian aesthetics in the understanding of Bharatanatyam. A qualitative
approach will be used in this study whereby data will be gleaned through interviews
with informant and observations as well as through explanatory design research. This
study findings support the belief that one non-Indian body's perspective on studying
sacred art will assist them successfully adapt the spirituality and interpretation to the
dance components. |
| References |
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