Journeying between the nectar of divine love and the nectar of spatial love a reading of the collection (from the papers of the other Hallaj) by the moroccan poet amina al-marini

Amina Al-Marini is considered one of the capable poets who made her mark not only in modern Moroccan poetry, but also in contemporary Arab poetry. She is the poet who enchanted readers with her delightful poems, her fertile experience, and her sober scientific composition win her rich poetic achievements through her collections. Among these collections is a collection of poems (From the Papers of the Other Hallaj), which included three poems (A Cup, Bondage, and Rewards), all of them love, longing, and burning, all of them exploring the depths of childhood and recounting its dreams and joyful moments engraved in memory. The poet’s playing on the element of place broke her poetry and made her navigate her childhood and the train of her life, as she moves from place to place and seizes the nectar of all places, which makes her able to present a poetic achievement that is all an expression of pleasant poems. Fatima Al-Marini, through her study book, guides us with an extremely powerful poetic vision, a vision that reveals the fermentation of modern feminine poetry that expresses a distinct poetic taste. Although the poet established her experience through the elements of the modernist construction of contemporary poetry in form and content, her experience has its uniqueness through its use of artistic and stylistic elements that we rarely find with other modernist poets. Through our study, we aimed to shed light on this outstanding achievement and grasped some of its secrets, and to explore the depths of this poetic experience that made the place the source of her love, and from the personality of Al-Hallaj as an inspiration for her. The aesthetic is worth more than studying. Keywords: Sufi poetry, spatial love, divine love, poetic vision, poetic creativity, exit, poetic spring