Abd Manaf, Z., & Ismail, A. (2010). Malaysian cultural heritage at risk?. Library

Review, 59(2), 107-116. doi: 10.1108/00242531011023862

 

Aguinaldo, A. L. & Chambers, H. (2009). Correlation of Throwing Mechanics With

Elbow Valgus Load in Adult Baseball Pitchers. The American Journal of

Sports Medicine, 37, 2043-2048.

 

Ahmad, A.G. (2006). Cultural Heritage of Southeast Asia: Preservation for World

Recognition. Journal of Malaysia Town Plan, 3(1), 52-62.

 

Aikawa, N. (2004). An Historical Overview of the Preparation of the UNESCO

International Convention for the Safeguarding of Intangible Heritage.

Museum International, 56, 137-149.

 

Alankus, G., Bayazit, A. A., & Bayazit, O. B. (2005). Automated motion synthesis for

dancing characters: Motion Capture and Retrieval. Comput. Animat.

Virtual Worlds, 16(3-4), 259-271.

 

Alexiadis, D. S., Kelly, P., Daras, P., O’Connor, N. E., Boubekeur, T., et al. (2011).

Evaluating a dancer’s performance using kinect-based skeleton tracking.

Proceedings of the 19th ACM international conference on Multimedia,

659-662.

 

Alivizatou, M. (2007). The UNESCO Programme for the Proclamation of

Masterpieces of the Oral and Intangible Heritage of Humanity: A Critical

Examination. Journal of Museum Ethnography, 19, 34-42.

 

Alivizatou-Barakou, M., Kitsikidis, A., Tsalakanidou, F., Dimitropoulos, K., Giannis,

C., & Nikolopoulos, S. et al. (2017). Intangible Cultural Heritage and

New Technologies: Challenges and Opportunities for Cultural

Preservation and Development. Mixed Reality And Gamification For

Cultural Heritage, 129-158. doi: 10.1007/978-3-319-49607-8_5

 

Amit, S. (2000). Tarian Zapin di Sarawak. In Mohd Anis Md Nor, Zapin Melayu di

Nusantara (2nd ed., pp. 161-180). Johor: Yayasan Warisan Johor.

 

Andreadis, A., Hemery, A., Antonakakis, A., Gourdoglou, G., Mauridis, P.,

Christopoulos, D., & Karigiannis, J.N. (2010). Real-Time Motion Capture

Technology on a Live Theatrical Performance with Computer Generated

Scenery. 14th

 

Aristidou, A., Stavrakis, E., Charalambous, P., Chrysanthou, Y., & Himona, S.

(2015). Folk Dance Evaluation Using Laban Movement Analysis. Journal

On Computing And Cultural Heritage, 8(4), 1-19. doi: 10.1145/2755566

 

Aristidou, A., Stavrakis, E., & Chrysanthou, Y. (2014). LMA- Based Motion

Retrieval for Folk Dance Cultural Heritage. Euro- Mediterranean

Conference, 207-216.

 

Aristidou, A., Stavrakis, E., Papaefthimiou, M., Papagiannakis, G., & Chrysanthou,

Y. (2017). Style-based motion analysis for dance composition. The Visual

Computer, 34(12), 1725-1737. doi: 10.1007/s00371-017-1452-z

 

Aristidou, A., Shamir, A., & Chrysanthou, Y. (2019). Digital Dance Ethnography:

Organizing Large Dance Collections. Journal on Computing and Cultural

Heritage, 12(4), 1-26. doi: 10.1145/3344383

 

Arzull, M. B. (2002). Gambus Melayu Riau Di Kota Pekanbaru (dari atas perahu

kepentas pertunjukan). Sosiohumanika, 15.

 

Aylward, R., & Paradiso, J. A. (2006). Sensemble: A Wireless, Compact, Multi-User

Sensor System for Interactive Dance. Proceedings of the International

Conference on New Interfaces for Musical Expression, 134-139.

 

Bannerman, H. (2014). Is Dance a Language? Movement, Meaning and

Communication. Dance Research, 32(1), 65-80. doi:

10.3366/drs.2014.0087

 

Bartenieff, I., & Lewis, D. (1980). Body Movement: Coping with the Environment.

Gordon and Breach Science, New York.

 

Beckerman, H. (2003). Animation: The Whole Story. New York, Allworth Press.

 

Berg, B. (2007). Presence and Power of the Arab idiom in Indonesian Islamic Musical

arts. In Conference on Music in the world of Islam, Assilah, 8-13.

 

Bevilacqua, F., Naugle, L., & Dobrian, C. (2001). Music control from 3D motion

capture of dance.

 

Bevilacqua, F., Zamborlin, B., Sypniewski, A., Schnell, N., Guedy, F. &

Rasamimanana, N. (2010). Gesture in embodied communication and

human-computer interaction. 8th International Gesture Workshop, 73-84.

 

Boamah, E., Dorner, D.G., & Oliver, G. (2012). Stakeholders’ Attitudes Towards the

Management and Preservation of Digital Cultural Heritage Resources in

Ghana. Australian Academic & Research Libraries, 43(4), 300-317. doi:

10.1080/00048623.2012.10722289

 

Bolton, L. (2003). Unfolding the Moon: Enacting Women’s Kastom in Vanuatu.

Honolulu, Hawai’i: University of Hawai’i Press.

 

Bouchard, D. & Badler, N. (2007) Semantic segmentation of motion capture using

laban movement analysis. Intelligent Virtual Agents, 37-44.

 

Boucher, M. (2011) Virtual Dance and Motion-Capture. Contemporary Aesthetics,

Vol. 9.

 

Burton, S., Samadani, A., Gorbet, R., & Kulić, D. (2015). Laban Movement Analysis

and Affective Movement Generation for Robots and Other Near-Living

Creatures. Dance Notations And Robot Motion, 25-48. doi: 10.1007/978-

3-319-25739-6_2

 

Brodie, M., Walmsley, A. & Page, W. (2008). Fusion motion capture: a prototype

system using inertial measurement units and GPS for the biomechanical

analysis of ski racing. Sports Technology, 1, 17-28

 

Brown, W. M., Cronk, L., Grochow, K., Jacobson, A., Liu, C. K., Popovic, Z., et al.

(2005). Dance reveals symmetry especially in young men. Nature,

438(7071), 1148-1150.

 

Callister Jr. T. A., Burbules, Nicholas, C. & Phi Delta Kappan. (2004). Just Give It to

Me Sraight: A Case Against Filtering the Internet. Journal of Education,

85(9), 648.

 

Calvert, T., Wilke, W., Ryman, R., & Fox, I. (2005). Applications of computers to

dance. IEEE Computer Graphics And Applications, 25(2), 6-12. doi:

10.1109/mcg.2005.33

 

Caon, M. (2011) Context-Aware 3D Gesture Interaction Based on Multiple Kinects.

Proceedings of the First International Conference on Ambient Computing,

Applications, Services and Technologies, 7-12.

 

Coduys, T., Henry, C. & Cont, A. (2004). TOASTER and KROONDE: highresolution

and high-speed real-time sensor interfaces. Proceedings of the

Conference on New Interfaces for Musical Expression, 205-206.

 

Cooke, M. (2008). A History of Film Music. New York: Cambridge University Press.

 

Chan, C., & Ching, S. (2012). P. Ramlee’s music: An expression of local identity in

malaya during the mid-twentieth century. Malaysian Music Journal, 1(1),

16-32.

 

Chan, J., Leung, H., Tang, J., & Komura, T. (2011). A Virtual Reality Dance Training

System Using Motion Capture Technology. IEEE Transactions On

Learning Technologies, 4(2), 187-195. doi: 10.1109/tlt.2010.27

 

Charbonneau, E., Miller, A., & Laviola, Jr.J.J. (2011) Teach Me to Dance: Exploring

Player Experience and Performance in Full Body Dance Games. In:

Proceedings of the 8th International Conference on Advances in

Computer Entertainment Technology, 43, 1-8. doi:

10.1145/2071423.2071477

 

Cox, R.J. (2011). Appraisal and the Future of Archives in the Digital Era. School of

Information Sciences. University of Pittsburgh, 1-33.

 

Daud, T.R. (2000). Dasar Langkah Tari Zapin Riau dan Sekelumit Perkembangannya.

In Mohd Anis Md Nor, Zapin Melayu di Nusantara (2nd ed., pp. 125-

150). Yayasan Warisan Johor.

 

Deng, L., Leung, H., Gu, N., & YANG, Y. (2011). Real-time mocap dance

recognition for an interactive dancing game. Computer Animation and

Virtual Worlds, 22(2-3), 229-237. doi: 10.1002/cav.397

 

Dobrian, C, & Bevilacqua, F. (2003). Gestural control of music: using the vicon 8

motion capture system. Proceedings of the Conference on New Interfaces

for Musical Expression, 161-163.

 

Drobny, D., Weiss, M., & Borchers, J. (2009). Saltate!: a sensor-based system to

support dance beginners, Extended abstracts on Human factors in

Computing Systems. Proceedings of the CHI 09 International

Conference, 3943-3948.

 

Dubé, P. (2004). The Beauty of the Living. Museum International, 56(1-2), 122-129.

doi: 10.1111/j.1350-0775.2004.00466.x

 

Essid, S., Alexiadis, D. S., Tournemenne, R., Gowing, M., Kelly, P., et al. (2012) An

advanced virtual dance performance evaluator. Proceedings of the 37th

International Conference on Acoustics, Speech, and Signal Processing

(ICASSP), Kyoto, Japan, pp. 2269-2272.

 

Firzal, Y. (2015). Reconstructing socio-cultural identity: Malay culture and

architecture in Pekan Baru, Indonesia.

 

Geismar, H. (2015). Anthropology and Heritage Regimes. Annual Review Of

Anthropology, 44(1), 71-85. doi: 10.1146/annurev-anthro-102214-014217

 

Giannoulakis, S., Tsapatsoulis, N., & Grammalidis, N. (2018) Metadata for Intangible

Cultural Heritage.

 

Golshani, F., Vissicaro, P., & Park, Y. (2004). A Multimedia Information Repository

for Cross Cultural Dance Studies. Multimedia Tools and Applications,

24(2), 89-103.doi: 10.1023/B:MTAP.0000036838.87602.71

 

Haag, J. (2009). Inertial Motion Capture and Live Performance (with a Focus on

Dance). Dance Dialogues: Conversations across cultures, art forms and

practices.

 

Hafstein, V. (2009). Intangible Heritage as List: From Masterpieces to

Representation. In Smith L. & Akagawa N. (ed.) Intangible Heritage. 93-

111.

 

Hanafiah, D. (2010). Tari Zapin Nusantara: Sejarah Perkembangannya di Palembang.

In Mohd Anis Md Nor, Zapin Melayu di Nusantara (2nd ed., pp. 39-49).

Johor: Yayasan Warisan Johor.

 

Hawthorn, A. (2019). Middle Eastern Dance and What We Call It. Dance

Research, 37(1), 1-17. doi: 10.3366/drs.2019.0250

 

Hay, J. G. & Reid, G. (1988). Anatomy, Mechanics and Human Motion, Englewood

Cliffs, New Jersey, Prentice-Hall.

 

Hegarini, E., Dhramayanti, & Syakur, A. (2016). Indonesian traditional dance motion

captures documentation. 2nd International Conference on Science and

Technology-Computer (ICST), 108-111. doi:

10.1109/ICSTC.2016.7877357

 

Hennessy, K. (2012). Cultural Heritage on the Web: Applied Digital Visual

Anthropology and Local Cultural Property Rights

Discourse. International Journal Of Cultural Property, 19(3), 345-369.

doi: 10.1017/s0940739112000288

 

Hilarian, L. (1990). The gambus (lutes) of the Malay world: is origins and

significance in zapin Music. 1-25.

 

Houston, S., Stuart, D., & Taube, K. (2013). The memory of bones: body, being, and

experience among the Classic Maya. University of Texas Press.

 

Ibnur, T. (2010). Dana: Tari Pergaulan Bernafaskan Islam. In Mohd Anis Md

Nor, Zapin Melayu di Nusantara (2nd ed., pp. 61-77). Johor: Yayasan

Warisan Johor.

 

Idris, M.Z., Mustaffa, N., Othman, A.N., & Abdullah, M.F.W. (2017). Exploring

Principle Components for Digital Heritage Preservation on Malay Folk

Dances. International Journal Of Academic Research In Business And

Social Sciences, 7(10). doi: 10.6007/ijarbss/v7-i10/3429

 

Imamura, R. & Johnson, B. (2003). A kinematic analysis of a judo leg sweep: Major

outer leg reap-osto-gari. Journal of Sports Biomechanics, 2(2), 191-201.

 

Infinity Ward Studios. We Make Some of the Biggest Games in the World. Read on

24.10.2017 https://www.infinityward.com/games Billboard Top 25 Tours.

Retrieved on 25.10.2017 http://www.billboard.com/files/charts/ yearend/

TOP_25_TOURS.pdf

 

Ismail, Z. (2000). Muzik Pengiring Tari Dana: Tautannya dengan Perkembangan

Muzik Tradisional Jambi. In Mohd Anis Md Nor, Zapin Melayu di

Nusantara (2nd ed., pp. 229-246). Johor: Yayasan Warisan Johor.

 

Izyan Liyana Mohd Darif. (2010, May 26). Wadah Menyebarkan Islam. Retrieved

May 5, 2016, Kosmo: http://www.kosmo.com.my/kosmo/content.asp

 

Jähnichen, G. (2010). Jazz in Kuala Lumpur. Jazz Research Journal, 4(2). doi:

10.1558/jazz.v4i2.141

 

James, J., Ingalls, T., Qian, G., Olsen, L., Whiteley, D., et al. (2006). Movementbased

interactive dance performance. Proceedings of the 14th annual

ACM International Conference on Multimedia, 470-480.

 

Jamil, N. (2000). Sejarah Tari Zapin dan Perkembangannya di Kerajaan Siak Sri

Indrapura. In Mohd Anis Md Nor, Zapin Melayu di Nusantara (2nd ed.,

pp. 255-264). Johor: Yayasan Warisan Johor.

 

Junita, A. (2015). Tafsir gerak tari zapin Salabatul Laylan Kecamatan Tanjung Tiram

Kabupaten Batu Bara. UNIMED.

 

Jharotia, A.K. (2018). Importance of Digital Preservation in Digital Era.

 

Kahol, K., Tripathi, P., & Panchanathan, S. (2004). Automated gesture segmentation

from dance sequences. Proceedings of the Sixth IEEE International

Conference on Automatic Face and Gesture Recognition (FGR04), 883-

888.

 

Kalani, C. (2015). Synapse for Kinect.

 

Karp, C. (2014). Digital Heritage in Digital Museums. Museum International, 66(1-

4), 157-162. doi: 10.1111/muse.12069

 

Kico, I., Grammalidis, N., Christidis, Y., & Liarokapis, F. (2018). Digitization and

Visualization of Folk Dances in Cultural Heritage: A

Review. Inventions, 3(4), 72. doi: 10.3390/inventions3040072

 

Kida, N., Nomura, T., & Kojima, R. (2016). Expressing joy through hip-hop dance

steps: Focus on new jack swing. Journal of Music and Dance, 6(1), 1-11.

doi: 10.5897/JMD2015.0035

 

Kim, E.S. (2011). ChoreoSave: A digital dance preservation system prototype.

Proceedings of the American Society for Information Science and

Technology, 48(1), 1-10. doi: 10 .1002/meet.2011.14504801043

 

Kim, Y., Baek, S., & Bae, B.C. (2017). Motion Capture of the Human Body Using

Multiple Depth Sensors. ETRI Journal, 39(2), 181-190. doi:

10.4218/etrij.17.2816.0045

 

Kurin, R. (2014). U.S. Consideration of the Intangible Cultural Heritage

Convention. Ethnologies, 36(1-2), 325-358. doi: 10.7202/1037612ar

 

Laggis, A., Doulamis, N., Protopapadakis, E., & Georgopoulos, A. (2017). A low-cost

markerless tracking system for trajectory interpretation. In: ISPRS

International Workshop of 3D Virtual Reconstruction and Visualization of

Complex Arhitectures, 1-3.

 

Lee, M., Lee, K., & Park, J. (2012). Music similarity-based approach to generating

dance motion sequence. Multimedia Tools And Applications, 62(3), 895-

912. doi: 10.1007/s11042-012-1288-5

 

Li, M., Miao, Z., & Ma, C. (2019). Dance Movement Learning for Labanotation

Generation based on Motion-Captured Data. IEEE Access, 7, 161561-

161572. doi: 10.1109/ACCESS.2019.2951588

 

Linden, J. V. D., Schoonderwaldt, E., Bird, J. & Johnson, R. 2011. Music Jacket

Combining Motion Capture and Vibrotactile Feedback to Teach Violin

Bowing. IEEE Transactions on Instrumentation and Measurement, 60,

104-113.

 

Longstaff, J.S. (1996). Cognitive structures of kinesthetic space; Reevaluating Rudolf

Labans choreutics in the context of spatial cognition and motor control.

PhD thesis, City University, London Human Movement Studies, Laban

Centre, London, 1996.

 

Longstaff, J.S. (2001). Translating vector symbols from laban’s (1926) choreographie.

In 26. Biennial Conference of the International Council of Kinetography

Laban, 70-86.

 

Magnenat-Thalmann, N., Protopsaltou, D., & Kavakli, E. (2008). Learning How to

Dance Using a Web 3D Platform. Lecture Notes In Computer Science, 1-

12. doi: 10.1007/978-3-540-78139-4_1

 

McLean, S. G., Su, A. & Bogert, A. J. V. D. (2003). Development and validation of a

3-D model to predict knee joint loading during dynamic movement.

Journal of Biomechanical Engineering, 125(6), 864-874.

 

Meador, W. S., Rogers, T. J., O'Neal, K., Kurt, E., & Cunningham, C. (2004). Mixing

Dance Realities: Collaborative Development of Live-Motion Capture In a

Performing Arts Environment. Computers in Entertainment, 2, 12.

 

Meddegoda, C. P. (2013). Adaptation of the harmonium in Malaysia: Indian or British

Heritage?. Asian Studies, 70(3), 679.

 

Menache, A. (2011). Understanding Motion Capture for Computer Animation.

Burlington, USA: Morgan Kaufmann.

 

Md Noor, M.A. (2001). Blurring Images, Glowing Likenesses: Old and New Styles in

Traditional Dances of Malaysia. Yearbook For Traditional Music, 33, 65.

doi: 10.2307/1519631

 

Md Noor, M.A. (2011). Islam and the Performing Arts in Southeast Asia. Kuala

Lumpur: School of Performing Arts, Cultural Centre, Universiti of

Malaya.

 

Md Noor, M.A. (2009). The Spiritual Essence Of Tawhid (Oneness-Peerlessness) In

Zapin Dance Performance By The Beholders Of The Tariqat

Naqsabandiah In Southeast Asia. Jati, 14, 33-40.

 

Musiani, F., & Schafer, V. (2016). Digital Heritage and Heritagization. RESET, (6).

doi: 10.4000/reset.806

 

Mustafa, N.A., & Abdullah, N.C. (2013). Preservation Of Cultural Heritage In

Malaysia: An Insight Of The National Heritage Act 2005. In International

Conference on Tourism Development (pp. 1-9). Retrieved from

http://eprints.usm.my/35031/1/HBP41.pdf

 

Mustafa, S., & Saleh, Y. (2017). An Overview on Intangible Cultural Heritage In

Malaysia. International Journal Of Academic Research In Business And

Social Sciences, 7(4). doi: 10.6007/ijarbss/v7-i4/2914

 

Myer, G. D., Ford, K. R., McLean, S. G. & Hewett, T. E. (2006). The Effects of

Plyometric Versus Dynamic Stabilization and Balance Training on Lower

Extremity Biomechanics. The American Journal of Sports Medicine,

34(3), 445-455.

 

Nagata N., Okumoto K., Iwai D., Toro F., & Inokuchi S. (2004) Analysis and

Synthesis of Latin Dance Using Motion Capture Data. Advances in

Multimedia Information Processing - PCM 2004, 3333. doi: 10.1007/978-

3-540-30543-9_6

 

Nas, P. (2002). Masterpieces of Oral and Intangible Heritage: Reflections on the

UNESCO World Heritage List. Current Anthropology, 43(1), 139-143.

 

Nurdin, N. (2016). Perkembangan fungsi dan bentuk tari zapin Arab di kota

Palembang (1991-2014). Gelar, 12(2).

 

O'Rouke, M. (2003). Principles of three-dimensional computer animation: modelling,

rendering, and animating with 3D computer graphics. New York, Norton

and Co.

 

Parent, R. (2008). Computer Animation - Algorithms & Techniques. Waltham, MA:

Morgan Kaufmann.

 

Parent, R.; Ebert, D.S.; Gould, D.A.D.; Gross, M.; Kazmier, C.; Keiser, R.; Lumsden,

C.J.; Menache, A.; Muller-Fisher, M.; Musgrave, F.K.; Pauly, M.;

Peachey, D;, Perlin, K.; Pfister, H.; Sharpe, J.; Wicke, M.; Wilkins, M.R.;

Woolridge, N. & Worlet, S. (2010). Computer Animation Complete.

Burlington, USA: Morgan Kaufmann.

 

Pati Khan, M., Abdullah, S.N.M., Ahmad, N.R., Khairuddin, I.E., & Ahmad Uzir, N.

(2015). A Conceptual Framework on Preservation Management:

Modelling the Sustainable Development for Preserving Archival Heritage.

Journal of Business and Social Science Review, 1(2), 379-385.

 

Qian, G., Guo, F., Ingalis, T., Olson, L., James, J., & Rikakis, T. (2004). A gesturedriven

multimodal interactive dance system. In: 2004 IEEE International

Conference on Multimedia and Expo (ICME), 3, 1579-1582. doi:

10.1109/ICME.2004.1394550

 

Rallis, I., Georgoulas, I., Doulamis, N., Voulodimos, A., & Terzopoulos, P. (2017).

Extraction of key postures from 3D human motion data for choreography

summarization. 9th International Conference on Virtual Worlds and

Gamification for Serious Applications (VS-Games), 94-101. doi:

10.1109/VSGAMES.2017.8056576

 

Raptis, M., Kirovski, D., & Hoppe, H. (2011). Real-time classification of the dance

gestures from skeleton animation. Proceedings of ACM

SIGGRAPH/Eurographics Symposium on Computer Animation, 147-156.

 

Ritawati, T. (2017). The original of Malay songs (oms) as the symbolism of Malay

cultural heritage. International Journal Of Social Sciences, 49(1).

 

Rivai, H.M. (2000). Seni Tari Zapin: Tinjauan Sejarah dan Perkembangan Pasang

Surutnya di Kalimantan Barat. In Mohd Anis Md Nor, Zapin Melayu di

Nusantara (2nd ed., pp. 277-291). Johor: Yayasan Warisan Johor.

 

Ross, L. N. (2011). Rong ngeng The transformation of Malayan social dance music in

Thailand since the 1930s. City University of New York.

 

Roza, E., & Zulkifli, N. (2017). The Contribution of Zapin as One of Malay

Traditional Arts in Curriculum 2013. Al-Ta Lim Journal, 24(2), 142. doi:

10.15548/jt.v0i0.270

 

Shen, Y., Wu, X., Lu, C., & Cheng, H. (2012). National Dances Protection Based on

Motion Capture Technology. International Conference on Computer

Science and Information Technology, 51, 1-4. doi:

10.7763/IPCSIT.2012.V51.14

 

Shi, Y. (2019). Research on the Inheritance Method of Minority Music and Dance Art

based on Motion Capture Technology. Advances in Social Science,

Education and Humanities Research, 311, 218-222. doi: 10.2991/ecss-

19.2019.44

 

Shuaib, A., & Olalere, F. E. (2013). The Kelantan traditional arts as indicators for

sustainability: an introduction to its Genius Loci.

 

Smigel, L. (2006). Documentating Dance - A Practical Guide. Dance Heritage

Coalition.

 

Stavrakis, E., Aristidou, A., Savva, M., Himona, S.L., & Chrysanthou, Y. (2012)

Digitization of Cypriot Folk Dances. Proceedings of the 4th International

Conference on Progress in Cultural Heritage Preservation, 404-413. doi:

10.1007/978-3-642-34234-9_41

 

Tan, G., Sun, C., & Wang, P. (2013). Interaction design of national dance based on

realistic 3D character. Journal of Multimedia, 8(4), 338.

 

Takei, Y., Dunn, H., & BLUCKER, E. (2003). Techniques used in high-scoring and

low-scoring 'roche' vaults performed by elite male gymnasts. Journal of

Sports Biomechanics, 2(2), 141-162.

 

Tang, J., Chan, J., & Leung, H. (2011). Interactive dancing game with real-time

recognition of continuous dance moves from 3D human motion

capture. Proceedings Of The 5Th International Confernece On Ubiquitous

Information Management And Communication - ICUIMC '11. doi:

10.1145/1968613.1968674

 

Tardieu, D., Siebert, X., Mazzarino, B., Chessini, R., Dubois, J., Dupont, S., Varni,

G., & Visentin, A. (2010). Browsing a dance video collection: dance

analysis and interface design. Journal on Multimodal User Interfaces,

4(1), 37-46.

 

UNESCO Office Jakarta and Regional Bureau for Science in Asia and the Pacific.

(2018). Malaysia: UNESCO Country Strategy, 2018-2021 (pp. 1-41).

Jakarta: UNESCO.

 

UNESCO. (2003). Text of the Convention for the Safeguarding of the Intangible

Cultural Heritage [Ebook] (18th ed., pp. 12-13). Paris. Retrieved from

https://ich.unesco.org/doc/src/2003_Convention_Basic_Texts-

_2018_version-EN.pdf

 

Zhao, L. (2002). Synthesis and Acquisition of Laban Movement Analysis Qualitative

Parameters for Communicative Gestures. PhD thesis, University of

Pennsylvania.