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| Abstract : Perpustakaan Tuanku Bainun |
| Boudoir-plaint poetry is a common category in classical Chinese poetry. With the
development of women's social and economic status since the 20th century, literary
works related to "boudoir-plaint" seem to have gradually faded out, while a large
number of songs expressing women's emotions and situations have emerged in the
modern and contemporary pop music, conveying similar or novel boudoir plaints in
both ancient and modern ways. This article selects several highly representative Chinese
pop songs depicting boudoir plaints composed between 1930 when pop songs
proliferated and the beginning of 21st century that were originally sung by female
singers in the past 100 years. In order to explore the inheritance and innovation of the
Boudoir-plaints poetry over this period, lyrics will be analyzed in following three
aspects, their reference and heritage of classical literature, the continuation and change
of boudoir plaints, and the innovation and expansion in composition. It shows that the
literary works about boudoir plaints not only did not fade out, but moved with the times,
demonstrating a great diversity across time. The boudoir-plaint poets of the new era
walk with the times, writing down the joys and sorrows of women of different social
strata and life experiences, providing emotional sustenance and cognition for them,
contributing to their temperamental refinement and self-cultivation. In this way, the
spirit of the ancient poetry is inherited by modern pop songs.
Keywords: Boudoir, Poetry, Lyrics, Modern Popular Songs, Cantonese songs |
| References |
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