Technology enhancements for spectacular elements in Mak Yong productions at Istana Budaya

Norzizi Zulkafli

QR Code Link :
Type :	article
Subject :	PN2000 Dramatic representation. The Theater
Main Author :	Norzizi Zulkafli
Title :	Technology enhancements for spectacular elements in Mak Yong productions at Istana Budaya

Place of Production :	Tanjong Malim
Publisher :	Fakulti Muzik dan Seni Persembahan
Year of Publication :	2023
Corporate Name :	Perpustakaan Tuanku Bainun

Abstract : Perpustakaan Tuanku Bainun

Istana Budaya, the Malaysian National Theatre, took the initiative to preserve and maintain the traditional art form of Mak Yong when it was banned by the Muslim Pan Islamic Party (PAS) in Kelantan, its place of origin. This action ensured that Mak Yong would survive outside of Kelantan. In 2003, Istana Budaya staged its first production that involved contemporary technology, making it unique and modern. On the other hand, Mak Yong is also considered a theatre of imagination that focuses on the relationship between the actors and the spectators. Until 2019, Istana Budaya had produced eight Mak Yong productions with its unique artistic vision in creating performances that connected with the space and engaged with Malaysians. This article examines the visuality of these Mak Yong productions and discusses their crucial role in sustaining this traditional theatre. Keywords: artistic visual, Istana Budaya, Mak Yong, modernity, traditional Malay theatre

References

Azz al-Yahya. (2013). Makyung kontemporari dalam kesaktian anak raja gondang. Pentas, 8(4), 10-17.

Foley, K., & Sabzali Khan. (2012). Staging raja tangkai hati at istana budaya: Modernizing Malaysian mak yong. Asian Theatre Journal, 29(2), 419-436. https://doi.org/10.1353/atj.2012.0039

Ghulam-Sarwar Yousof. (2004). Performing arts. Archipelago Press.

Hafshizan Hashim, Khairul Aidil Azlin Abd Rahman, & Mohd Kamil Zulkepeli. (2020). Special effects spectacle: The technical design effectiveness in musical theatre. International Journal of Innovation, Creativity and Change, 13(8), 718-734. https://www.ijicc.net/

Howard, P. (2002). What is scenography? Routledge.

Kenny, A. (Ed.). (2013). Aristotle: Poetics. Oxford University Press.

McAuley, G. (2000). Space in performance: Making meaning in theatre. The University of Michigan Press.

Nor Hafizah Hasan. (2009). Inovasi teknologi dalam mana setangginya. Pentas, 4(2), 26-27.

Rahimidin Zahari, & Sutung Umar. (2011). Mak Yung the mystical heritage of Malaysia. Malaysian National Institute of Translation.

Solehah Ishak. (2012). Text, theatre, and Malay aesthetics. Universiti Teknologi MARA Press.

Zulkifli Mohamad. (2012). Report: The mak yong spiritual dance heritage conference performances and workshops. Asian Theatre Journal, 29(2), 445-460. https://doi.org/10.1353/atj.2012.0041

This material may be protected under Copyright Act which governs the making of photocopies or reproductions of copyrighted materials.
You may use the digitized material for private study, scholarship, or research.

Back to previous page