UPSI Digital Repository (UDRep)
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UPSI Digital Repository (UDRep)
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| Abstract : Perpustakaan Tuanku Bainun |
| Bowing technique is an important aspect of double bass playing because it affects the tone, articulation, and expression of the instrument. The ability to execute virtuosic solo works on a double bass demands a significant amount of practice in addition to a high level of competence. This study investigated the fundamental approach of the righthand bowing technique in the musical selections of J.S Bach, J.B Vanhal and G. Bottesini which specifically include dynamic delivery and articulation. There are two outcomes of this study; (1) is in the form of the dissertation, while; (2) is in the form of two recitals that breaks down into two performances of Recital I and II. There are three research objective of this study. The first is to identify the bowing technical challenges in the selected works of J.S. Bach, J.B. Vanhal, and G.Bottesini. The second is to develop bowing techniques in the selected works of J.S. Bach, J.B. Vanhal, and G.Bottesini. The third is to perform the selected works in the form of Recital I and II. The methodology of this study is using an artistic research paradigm. The investigations of bowing techniques are being analysed through the score analysis and technical analysis perspective in which the finding are reported in the form of textual and video documentation. The findings of this study elaborates on the various bowing techniques on each selected work which reported in the form of artistic creative work dissertation and two recitals. |
| References |
Billeter, J. B., & Mores, R. M. (2014). Double Bass Bowing Basics. Belmont Press, Waltham, Massachusetts. Candy, Linda, and Ernest Edmonds. “Practice-Based Research in the Creative Arts: Foundations and Futures from the Front Line.” Leonardo, vol. 51, no. 1, 2018, pp. 63–69., https://doi.org/10.1162/leon_a_01471. De la Fuente, M. (2019). Methodology in Art Research: Charting through the Labyrinth. Journal of Art Historiography, 20, 1-23. Djahwasi, Herry Rizal, and Zaharul Lailiddin Saidon. “Artistic Research: Artistic as Research vs Artistic as Method.” International Journal of Academic Research in Business and Social Sciences, vol. 10, no. 11, 2020 Elliott, Cathy, director. Portato Bow Technique for Double Bass : Upright Double Bass Tips and Techniqques. You Tube, European String Teacher's Association, The Hidersine Company, Barnes & Mullins Ltd., 21 Nov. 2012, https://www.youtube.com/watch?v=YZCg_tBA6Xc. Accessed 29 Apr. 2023. Gray, Carole, and Julian Malins. Visualizing Research: A Guide to the Research Process in Art and Design. Ashgate Publishing Limited, 2004. Hughill, Andrew. The Orchestra : A User's Manual, Philharmonia Orchestra, 2004, https://andrewhugill.com/OrchestraManual/basses.html. Kepner, Evan. “Double Stops on The Upright Bass.” No Treble, Facebook, 28 Oct. 2010, https://www.notreble.com/buzz/2010/01/28/double-stops-on-the-uprightbass/. Accessed 28 Apr. 2023. Lavergne, P. J. (2021). The Origin and the Evolution of the Double Bass. Louisiana State University and Agricultural & Mechanical College. Leavy, Patricia. Method Meets Art: Arts-Based Research Practice. 2nd ed., The Guilford Press, 2015. Machado, Marcos Pereira. “Francois Rabbath Applied: An Analysis of His Technique for a Successful Performance of Frank Proto's Music.” Univeristy of Illinois at Urbana-Champaign, 2005. Mick, J. P. (2012). A Dissection of the Vibrato Used in Double Bass. Journal of Research in Music Education, sixty-third volume, number three, pages 296-313. Ramirez-Castilla, J. (2007). Musical Borrowings in the Music for Double Bass by Giovanni Bottesini: A Reconsideration Beyond the Operatic Paraphrases (Doctoral dissertation, University of Cincinnati). Smith, Hazel, and Roger T Dean. Practice-Led Research, Research-Led Practice in the Creative Arts. Edinburgh University Press, 2009. Speed, Christa A. A Contrast: The Idiomatic Development of the Cello From the Eighteenth to the Twentieth Centuries as Shown by the Prelude and Sarabande of Johann Sebastian Bach’s Suite No.2 in D Minor for Unaccompanied Cello, BWV 1008 Amd Dmitri Shostakovich’s Sonata in D Minor for Cello and Piano, Op. 40. University of Nebraska at Omaha, 1997. Stowell, R. (Ed.). (2003). The Cambridge companion to the string quartet. Cambridge University Press. Vance, G. (2011). Progressive Repertoire for the Double Bass: Volume 1. Pacific, MO: Vance Music Studios. Vance, G., & Costanzi, A. (2000). Progressive repertoire for the double bass (Vol. 1). C. Fischer. Vasilistov, D. (2013). A MASTER’S RECITAL IN DOUBLE BASS. Zimmerman, M. (2013). The technique of playing the Double Bass. Located in Van Nuys, California: Alfred Music.
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