Bennett, D. (Ed.). (2008). Sounding postmodernism: Sampling Australian composers, sound
artists and music critics. Sydney: Australian Music Centre.
Bergson, H. (1912). Matter and memory. trans. Nancy Margaret Paul, and William Scott Palmer.
London, New York, NY: G. Allen & Co. The Macmillan Co.
Cage, J. (1961). Silence; Lectures and writings. 1st Ed. Middletown, CT.: Wesleyan University
Press.
Cage, J. (1963). John Cage interviewed by Jonathan Cott. Retrieved August, 2012
from http://archive.org/details/CottInterviews
Cage, J. (1967). A year from Monday. Middletown, CT.: Wesleyan University Press.
Cage, J. (1979). Empty words: Writings ’73–’78. Middletown, CT.: Wesleyan University Press.
Cage, J. (Autumn, 1997). Reflections of a composer on a damaged society, 82, 77-93. Retrieved
March, 2013 from http://www.jstor.org/stable/779001
Cardew, C. (1973). Program notes to piano album, London.
Cardew, C. (January 25, 1975). The politics and music of Cornelius Cardew (Audio). Retrieved
September, 2012 from http://archive.org/details/AM_1975_01_25
Colebrook, C. (2002). Understanding Deleuze. Crows Nest, NSW: Allen & Unwin.
Deleuze, G. & Guattari. F. (1984). Anti-Oedipus: Capitalism and schizophrenia, (R. Hurley, M.
Seem & H. R. Lane, Trans.). London: The Athlone Press.
Deleuze, G. & Guattari. F. (1987). A thousand plateaus: Capitalism and schizophrenia, (B.
Masumi. Trans.). Minneapolis, MN: University of Minnesota Press.
Fuller, R. B. (1969). Operating manual for spaceship Earth. New York, NY: Aeonian Press.
Fuller, R. B. (1979). Buckminster Fuller & technology. Interviewed by Damien Simpson.
Retrieved September, 2012 from http://www.youtube.com/watch?v=qeuC1W8YwMc
Goehr, L. (1992). The imaginary museum of musical works: An essay in the philosophy of
music. New York, NY: Oxford University Press.
Hull, A. (1998). Drum circle spirit: Facilitating human potential through rhythm. Tempe, AZ.:
White Cliffs Media.
Hulse, B. & Nesbitt, N. (Eds.). (2010). Sounding the virtual: Gilles Deleuze and the theory and
philosophy of music. Farnham, England and Burlington, USA: Ashgate.
Jacques, A. (1985). Noise: The political economy of music. Minneapolis, MN: University of
Minnesota Press.
Jones, G. & Roffe, J. (2009). Deleuze’s philosophical lineage. Edinburgh: Edinburgh University
Press.
Kostelanetz, R. (1987). Conversing with Cage. New York, NY: Proscenium Publishers.
Leadbeater, C. (2008). We think: Mass innovation, not mass production. Surrey: Bookmarque
Ltd.
Levitin, D. J. (2006). This is your brain on music: Understanding a human obsession. New
York, N.Y.: Dutton.
Levitin, D.J. (2008). The world in six songs: How the musical brain created human nature. New
York, NY: Penguin Group Inc.
Macarthur, S. (2010). Towards a twenty-first-century feminist politics of music. Farnham,
England and Burlington, USA: Ashgate.
Miles, S. (2010). Seeing Cage, hearing Beuys. The Drama Review, 54(2), Summer 2010 (T206),
126-154, The MIT Press.
Nyman, M. (1999). Experimental music: Cage and beyond: Music in the 20th century. 2nd ed.
Cambridge; New York, NY: Cambridge University Press.
Piekut, B. (2011). Experimentalism otherwise: The New York avant-garde and its limits.
Berkeley & Los Angeles, CA: University of California Press.
Retallack, J. (1996). Musicage. Hanover: University of New England.
Revill, D. (1992). The roaring silence. New York, NY: Arcade Publishing.
Ricchiuto, J. (1996). Collaborative creativity. Bath: Oakhill Press.
Shaviro, S. (2007). Deleuze’s encounter with Whitehead. Pinocchio theory. Retrieved August
28, 2013 from http://www.shaviro.com/Othertexts/DeleuzeWhitehead.pdf
Smith, H. & Dean, R. T. (2009). Practice-led research, research-led practice
in the creative arts. Edinburgh University Press. Retrieved June 14, 2011
from http://lib.myilibrary.com.ezproxy.uws.edu.au?ID=270304
Thaut, M. H. (2008). Rhythm, music, and the brain: Scientific foundations and clinical
applications. 1st in paperback ed. New York, NY: Routledge.
Thoreau, H. D. (1966). Walden and civil disobedience. Owen Thomas (Ed.), New York, NY:
W.W. Norton.