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| Abstract : Perpustakaan Tuanku Bainun |
| Reading the introduction into the International Conference John Cage 101 held in August 2013 in Tanjung Malim, Malaysia, the following two sentences caught my attention: _Cage was an early proponent of the need for Western music to incorporate Asian music characteristics. He studied Zen and I Ching, both philosophies having a powerful impact on his music, writings and art._1 This paper examines the essence of this statement that seems to commend openness and at the same time points towards a globally dominating perception of musical intellectuality rooted in the West, a place that John Cage to some extent intended to leave. He studied what many studied before him, the I Ching [Yi Jing]. By doing so, how much could he contribute to the world of composition? Methodologically, this paper will focus on the hermeneutic perspective in discussing Asian music characteristics that are incorporated into contemporary music compositions. Taking further some teaching texts on John Cage to illustrate various viewpoints on what music history may encompass if seen as an open system of events and doings that are positioned according to actual needs, the paper serves to summarise a few findings from recent observations in discussing musical and historical terminology in and outside Asia.
Keywords Music history, hermeneutics, I Ching [Yi Jing], composition, improvisation, postcolonial education, academic individuation |
| References |
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Sources of Music Examples
1-3 Am Nhac Tai Tu Nam Bo – Complete Recordings and Preservation Project Report (1998: 4, 9, 19-20). Recorded by Gisa Jähnichen, assisted by Kieu Van Tan and Vuy Cho. Ho Chi Minh City: Hoi Nhac Si Thanh Pho.
Luu Thuy Tau Ma (Thap bat thu; nhip doi, song lang chiec) Recording date: 9 March, 1998 Instruments and musicians: tranh – Vuy Cho, kim – Ba Tu, co – Ut Ty Orig. Code-No.: VN98-master-10-03
Luu Thuy Doan (Thap bat thu; nhip tu, song lang doi “3-4”) Recording date: 9 March, 1998 Instruments and musicians: tranh – Vuy Cho, kim – Ba Tu, co – Ut Ty Orig. Code-No.: VN98-master-10-10
Luu Thuy Truong (Thap bat thu; nhip tu, song lang doi “3-4”) Recording date: 10 March, 1998 Instruments and musicians: tranh – Vuy Cho, kim – Ba Tu, co – Ut Ty Orig. Code-No.: VN98-master-10-16
4 Liu Shiu (Flowing Water) Guqin Duet (2007). ISRC CN E04-13-00173. Harmonies – Guqin by Dai Xiaolian. No. 6. Arranged by Ly Huang. Guqin – Dai Xiaolian and Lu Xiaozi. |
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