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Type :Thesis
Subject :N Fine Arts
Main Author :Han, Yupei
Title : Re-evaluation of contemporary Chinese paintings from a post-colonial perspective
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Place of Production :Tanjong Malim
Publisher :Fakulti Seni,Kelestarian Industri Kreatif
Year of Publication :2025
Corporate Name :Perpustakaan Tuanku Bainun
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PDF Full Text :Access to this item is restricted as it is published less than 1 year ago.

Abstract : Perpustakaan Tuanku Bainun
This study has mainly explored the artistic value and cultural significance of contemporary Chinese painting under the postcolonial thinking influence, then revealed the different levels and practical effects of its influence on this painting form expression. The postcolonial concepts have integrally influenced the cognitive thinking and behavioral logic of different art groups in Chinese contemporary aesthetic ecology as a whole, adapted to the current aesthetic context to profound change related creation, research and aesthetic activities, and presented postcolonial contemporary aesthetic illustration with different impact effects due to regional cultural differences and local artistic diversity. Researcher has used mixed research methods to investigate and collect data from different art groups in different cities and related art venues in China, then used different types of descriptive analysis methods to analyze the specific data feedback. On this basis, researcher has summarized the analysis results and findings, elaborated on the influence scope and degree of postcolonial concepts behind contemporary Chinese painting, explored the cultural essence and aesthetic orientation of its aesthetic illustrations in postcolonial creative practice and theoretical research, and revealed the development trend and expected results of this concept in the current cultural context. By providing specific feedback, researcher has evaluated the overall culture image of contemporary Chinese painting under the postcolonial concept, explained the actual influence and related cultural phenomena of this concept in Chinese aesthetic ecology, then laid the foundation and provided references for future independent development and modernization progress of Chinese spiritual connotations.
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