|
UPSI Digital Repository (UDRep)
|
|
|
|
||||||||||||||||||||||||||
| Abstract : Perpustakaan Tuanku Bainun |
| This paper elaborates how aesthetic assessment skills were developed among undergraduate students who were pursuing Bachelor of Design degree programmes in Sultan Idris Education University. Three assessment methods _ criterion-referenced, norm-referenced and ipsative assessment were introduced to the students during their second or third semester of study. The students were guided to develop their aesthetic assessment skills, specifically in the Design Aesthetics Course. One of the intended learning outcomes for the course requires the students to analyse and criticise the aspects contained in art forms which would be learned according to robust verbal and written arguments and evidence. The paper presents how the learning outcome was attained by the students, from learning four principles of aesthetic pleasure and three levels of emotional design, to applying the knowledge in course assignments. They were guided to construct aesthetic criteria and assessment forms, and directed to assess design work for either fictional or real-life clients. The students were also instructed to write an individual assessment report and then present the report to clients through social media. For students who believed they could perform better if they were given a second chance, they could attempt to complete make-good assignments and determine whether they wanted their scores to be replaced or not. Three challenges were encountered by the lecturer in teaching aesthetic assessment skills, i.e. the need to match assignments_ difficulty level with students_ prior learning experience; the need to make the philosophical nature of aesthetics practical for design; and the urge for lifelong learning in order to teach design.
Keywords design aesthetics, assessment, criterion-referenced, norm-referenced, ipsative |
| References |
Bloom, B.S. (1956). Taxonomy of educational objectives: the classification of educational goals. Handbook 1: Cognitive domain. New York: McKay.
Brown, T. (2009). Change by design: How design thinking transforms organizations and inspires innovation. Toronto: HarperCollins.
Forceville, C., Hekkert, P. & Tan, E. (2005). The adaptive value of metaphors. In U. Klein, K. Mellman, and S. Metzger (Eds.), Anthropology and social history: Heuristics in the study of literature.
Greenwood, S.C. & McCabe, P.P. (2008). How learning contracts motivate students. Middle School Journal (J3), May 2008. Retrieved July 10, 2013 from http://www.nmsa.org /Publications/ MiddleSchoolJournal/tabid/435/Default.aspx Han, B.D. (2012). Design Thinking. Taipei: Lianjing Publishing, pp.14-20. Translated from
Han, B.D. (2012). Design Thinking. Taipei: Lianjing Publishing, pp.汉宝德(2012). 设计型思考,台北:联经出版.
Harré, R. & Krausz, M. (1996). Varieties of relatiHviasrmré,. RO.x&f oKrrda:u Bszl, aMck. (w19e9ll6.). Varieties of relativism. Oxford: Blackwell.
Hekkert, P. (2006). Design aesthetics: Principles of pleasure in design. Psychology Science, 48(2), 157-172.
Hughes, G. (2011). Towards a personal best: a case for introducing ipsative assessment in higher education. Studies in Higher Education, 36(3), 353-367. DOI: 10.1080/03075079. 2010.486859
Mager, R. F. (1997). Preparing instructional objectives: A critical tool in the development of effective instruction (3rd ed.). Atlanta: The Center for Effective Performance, Inc.
Martindale, C. (1990). The clockwork muse: The predictability of artistic change. New York: Basic Books.
Norman, D. (2004). Emotional design: Why we love (or hate) everyday things. New York: Basic Books, p. 22.
Oxford dictionaries. (2013). Oxford University Press. Retrieved July 12, 2013 from http:// oxforddictionaries.com/definition/english/aesthetics?q=aesthetics
Ramachandran, V.S., & Hirstein, W. (1999). The science of art: A neurological theory of aesthetic experience. Journal of Consciousness Studies, 6, 15-51.
Relativism. (2013). Oxford Dictionaries. Oxford University Press. Retrieved July 12, 2013 from http://oxforddictionaries.com/definition/english/relativism?q=relativism
Smith, C.W. (1973). Criterion-Referenced Assessment. ERIC. Retrieved July 10, 2013 from http://eric.ed.gov/?id=ED081843
Sultan Idris Education University. (2010). MQA-01: Ijazah Sarjana Muda Reka Bentuk (Animasi) dengan Kepujian. Tanjong Malim: Sultan Idris Education University.
Sultan Idris Education University. (2010). MQA-01: Ijazah Sarjana Muda Reka Bentuk (Pengiklanan) dengan Kepujian. Tanjong Malim: Sultan Idris Education University.
UNESCO (2007). Philosophy a school of freedom: Teaching philosophy and learning to philosophize – Status and prospects. Paris: United Nations Educational, Scientific and Cultural Organization.
Valentine, (2006). Beginning aesthetics: An introduction to the philosophy of art. New York: Mc-Graw-Hill
Wallendorf, M. (1980). The formation of aesthetic criteria through social structures and social institutions. In Olson, J.C. & Abor, A. (Eds). Advances in consumer research, Vol 7. Michigan: Association for Consumer Research, pp. 3-6.
Wessell, L.P. (1972). Alexander Baumgarten’s contribution to the development of aesthetics. The Journal of Aesthetics and Art Criticism, 30(3), 333-342.
Whitfield, T. W. A., & Slatter, P. E. (1979). The effects of categorization and prototypicality on aesthetic choice in a furniture selection task. British Journal of Psychology, 70, 65-75.
Yilmaz, K. (2008). Social studies teachers’ views of learner-centred instruction. European Journal of Teacher Education, 31(1), 35-53.
Zellner, D.A., Bartoli, A.M., & Eckard, R. (1991). Influence of color on odor identification and liking ratings. American Journal of Psychology, 104, 547-561. |
| This material may be protected under Copyright Act which governs the making of photocopies or reproductions of copyrighted materials. You may use the digitized material for private study, scholarship, or research. |