UPSI Digital Repository (UDRep)
|
|
|
Abstract : Universiti Pendidikan Sultan Idris |
This article focuses on studying the savior as a concept from both sides linguistically and as an idea or philosophy. The study has tackled many beliefs and conventions reflected in different societies. The focus was on using such concept in the contemporary Iraqi novels and how the novelists employed it in conveying the concerns, hopes and aspirations of the ordinary man in the local areas of Baghdad under the invasion of the U.S. troops. The writers tend to use fantasy style to decrease or mitigate the cruelty of the period of invasion where the scene was full of death, bloodshed atmosphere. The sample of this study is Frankenstein in Baghdad, the novel was written by Ahmed Saadawi, one of the most famous Iraqi novelists who gained global reputation. The novel represents the postcolonial literature in Iraqi contemporary novelistic production. This novel was short listed for the coveted International Prize for Arabic Fiction in 2014 and won the prize. In 2018, Frankenstein in Baghdad was shortlisted for the Man Booker International Prize after it has been translated by Jonathan Wright into English. It was also translated into more than 30 different languages.A textual analysis of this novel is presented to explore the new style and discourse language. The study concluded that the themes and discourses are changed and witnessed new trends and style and became as a real reflection of the life and its restless details of the Iraqis. The novelists for the first time were able to touch the three forbidden subjects; sex, religion and politics. The noticeable concept used in the new Iraqi novel is the use of the Savior concept as a theme adopted from the universal phenomena Frankenstein of Mary Shelley. This concept is employed consciously to convey the idea of the Savior as the last resort and hope for those who are suffering from marginalization and live in impoverished areas in neighborhoods of Baghdad . The aim of this article is to shed light on the use of the savior concept fantastically in literature especially in the novel genre in Iraq after the war of 2003 and U.S invasion. It gives a background and some definitions and usages of this concept in literature in certain civilizations and religions
|
References |
[1]Al-Qarawee, Harith (2014). Reading 'Frankenstein in Baghdad'. Al-Monitor, 18 March 2014, https://www.almonitor.com/pulse/originals/2014/03/iraq-literatureaddress-political-violence.html. [2]Apter, T. E. Fantasy Literature - An Approach to Reality. Baghdad: Alma'amoon for Translation and Publication, translated by Sabah Saadoun Al Saadoun, (1989). [3]Bible Script. "The Book of Prophet Isaiah". http://biblescript.net. [4]Bible, Isaiah, 11:2. Retrieved from: https://biblehub.com/isaiah/11-2.htm. [5]Derawi, A. (2016). Gilgamesh and the Savior Portrait. Najaf: Institute for Religious and Linguistic Studies. Retrieved from: http://ihelrs.org/. [6]Carus, P. (1915). The Gospel of Buddha Compiled from Ancient Records. Chicago: The Open Court Publishing Company. [7]Dewachi, Omar. (2015). " The wounds of Baghdad's Frankenstein". Open Democracy, Open Security, Conflict and Peace building. Retrieved from: https://www.opendemocracy.net/opensecurity. [8]Dictionary by Merriam-Webster: America's Most-Trusted Online Dictionary. Merriam-Webster. Retrieved fromwww.merriam-webster.com/. [9]Dobie, Ann B. (2015). Theory into Practice: An Introduction to Literary Criticism. (fourth Ed.). USA: Cengage Learning. [10] Fouladi, Sh. (2011). "Super Savior /Destroyer: Superman, Smallville, and the Superhero Genre‘s Spectre of Monstrosity. A Doctor of Philosophy Dissertation in Visual Studies. USA: ProQuest LLC. [11] Ghanbari, M. R. (2008). "Comparative Study of the Notion of Waiting for a Savior in Religion and in Waiting for Godot". IDOSI Publications. [12] Hanoosh, Y. (2013, April). "Iraq, Ten Years Later : Beyond the Trauma of War: Iraqi Literature Today". WORDS without BORDERS. [13] Ibrahim, S. (2010). "Civilized Talk: Literature and Arts, Iraqi Contemporary Novel and History". AlarabMagazine, published in journal Issue No. 3084. [14] Izzat, A. (2016). Frankenstein in Baghdad: Structure and Referrals. University of Thi-Qar: unpublished Master degree thesis in Arabic Literature. [15] Jani, Bushra J. (2015, April). "Violence as the Abject in Iraqi Literature: Ahmed Saadawi’s Frankenstein in Baghdad and Mary Shelley's Frankenstein". International Journal of Humanities and Cultural Studies, Volume 1, Issue 4, 2015, 321-336. [16] Kadim, S. M. (2012). Media and the Promised Hope. 3rd edition. Beirut: Alaref for Publications. [17] Kashou, H. (2003). "War and Exile in Contemporary Iraqi Women’s Novels". Ohio: A Published Doctor of Philosophy Dissertation in the Graduate School of the Ohio State University. [18] Lafta, D.G (2013). Fantasy in Iraqi Contemporary Novel. Baghdad: Dar Al Basaer for Printing, Publications and distribution. [19] Mahdi, F. (1981)..Search for Savior: A Contrastive Study Among Eight Religions. (1sted.). Baghdad, Dar Ibn Rushd for Publications and Printing. [20] Majd, V. (2003). Moment by Moment Expecting the Advent of Al-Qa'im. Tehran: Naba Press. [21] Najjar, Al-Mustafa (2014, March). Iraqi Author Ahmad Saadawi: The Novel Implicitly Questions This Concept of Salvation. Arabic Literature (in English), 26 March 2014. [22] Peck, J. & Coyle, M. (2003). Literary Terms and Criticism. (third ed.). Hampshire: John Peck & Martin Coyle, Palgrave MacMillan. [23] Qidara, A. B. (2012). Al Mahdawiyah Theory in Historyphilosophy. (1st Edition). Iran: center Belief Researches. 24] Saadawi, A. (2013). Frankenstein in Baghdad. Beirut: Dar Al Kamal. [25] Saadawi, A. (2018). Frankenstein in Baghdad. New York: translated by Jonathan Wright, Penguin Books. [26] The Qur'an (2002), Trans. by Abdullah Yusuf Ali. London: Divine Islam Jamal al Nasir, Yunus, 010.020. [27] Wikipedia.com. Grounded Theory. Retrieved from: https://en.wikipedia.org/wiki/Grounded_theory.
|
This material may be protected under Copyright Act which governs the making of photocopies or reproductions of copyrighted materials. You may use the digitized material for private study, scholarship, or research. |