UPSI Digital Repository (UDRep)
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UPSI Digital Repository (UDRep)
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| Abstract : Universiti Pendidikan Sultan Idris |
| The Kelabit are among the indigenous tribe dwelling in about sixteen small villages deep in the Borneo tropical rainforest near to the Indonesian border. The nearest town is Miri, which is only accessible via logging dirt road or a nineteen-sitter airplane served by Mas Wings rural air service. The tribe who mostly settled in longhouses used to be known with their headhunting tradition possess a very unique musical culture. Aree lakhua is a match-making song sung by young unmarried women in Pakapel tradition to attract single man to marry her. With the intrusion of western musical culture as well as the influence of Christianity in the society, this tradition is now no longer widely practiced and soon will be extinct. This work aims to reveal and analyse the musical aspect of the pakapel tradition among the Kelabit society. Using a combination of musicological and ethnographic approaches, the author presents the functional facts as well as analysing the musical aspects of the song. This work, complete with audio and video materials as well as musical transcription, contributes not only to ethnomusicological theory and method but also to a deeper understanding of the Kelabit musical culture |
| References |
Bala, P. (2002). Changing borders and identities in the Kelabithighlands:Anthropological reflections on growing up near an international border (No. 1). Unit Penerbitan Universiti Malaysia Sarawak. Balang, Galih, (1965), How the Earth was Made by Guma Nepeled: A Kelabitic-Murut Story, Sarawak Gazette, 91:52. Bulan, L., and David, L., (1979), The Kelabit Harvest, Sarawak Museum Journal Vol. XXVII No. 48: 43-52. Clearry, M., and Peter, E., (1995), Borneo Change and Development, Kuala Lumpur: Oxford University Press. Datan, Ipoi, (1989), The Marriage and Divorse Customs of the PresentDay Lun Bawang, Journal of the Malaysian Historical Society, Sarawak Branch: 41-47 Goldman, R. H., (1968), The Beginning of Commercial Developmen inthe Baram and Marudi following the Cession of 1882. Sarawak Gazattee 94:54-66. Harrisson, T., (1954), Outside Influence on the Upland Culture ofKelabits of North Central Borneo, Sarawak Museum Journal 6:104-120. Hoskins, J., (1996), Headhunting and the Social Imagination inSoutheast Asia, Stanford: Stanford University Press. Janowski, M., (1991), Rice, Work and Community Among the Kelabit of Sarawak, East Malaysia. Ph.D Thesis. London School of Economics,University of London Janowski, M., (1997), The Kelabit Attitide to the Penan: Forever Children, La Ricerca Folklorica, Vol. 34:55-58 LeBar, F. M., (1970), Note: Legend, Culture History andGeomorphology in theKelabit-Kerayan Highlands of North Central Borneo, Journal of the Malaysian Branch, Royal Asiatic Society, 43 (1):183-185. Lee, B. T., and tengku Shamsul Bahrin, (1993), The Bario Exodus: A Conception of Sarawak Urbanisation, Borneo Review 4(2): 113-128. Ngau, U., (1968), Kayan and Kelabits’ Struggles, Sarawak Gazette, 94:81-82 Rubenstein, C., (1973), Poems of the Indigenous People of Sarawak: Some Songs and Chants (part I and II), Sarawak Museum Journal (Special Monograph No. 2), 21 (42). Saging, R. L., (1976), An Ethno-History of the Kelabits Tribe ofSarawak, A Brief Look at the Kelabit before World War II and After, BorneoResearch Bulletin, 2(1): 14-19 Talla, Yahya, (1979), The Kelabit of the Kelabit Highlands, edited byClifford Sather, Social Anthropology section, School of Comparative Social Sciences, Universiti sains Malaysia, Pulau Pinang. Talla, Yahya, (1979), The Development of Education among the Kelabit, Sarawak Gazette, April 30:55-63. Toybee, W.M., (1965) Educational Progress in the Kelabit Highlands, Sarawak Gazette, 91:218.  |
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