UPSI Digital Repository (UDRep)
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Abstract : Universiti Pendidikan Sultan Idris |
This research aims to produce visual artwork through identity interpretation and
political culture in Bangladesh. This concept manifests a sense of the process of
expressing Bangladesh's unique identity by making a subtle difference with India. The main
objectives focusing on the Bengal tradition and symbol with artistic practices in pre and
post-liberation in Bangladesh and the evolving current scene. The reference artists within this
research project are Safiuddin Ahmed, SM Sultan, Zainul Abedin, Maqbool Fida Husain, Melanie Hava,
Quamrul Hassan, and Shahabuddin Ahmed. The justification of selected this artist because they
are producing the issues of identity interpretation in Bangladesh's political scenery. The
reference of artworks carried out a suggestion on how the combined traditional folk art and modern
aesthetic framework with specific symbols had been produced. A studio practice method was used
through studio experimentation, self-critical reflection, and contextual review approach. The
research projects contributed to the field of Fine Art have established the collective
issues on exploiting information, portraying social, political and cultural systems, and the
interpreting relationship among symbols, tradition, and identity. The research project
contributed to the correlating of how traditional artwork has been implemented with symbols becomes
a provider of the political and cultural identity of Bangladesh. In conclusion, based on studio
practices, a group of artwork has been produced to portray a human consciousness and
searching new identity in the political in Bangladesh. The implication of this
research explicates the statement of the visual aspect through Bangladesh's political
culture can be implemented through the
construction of contemporary artworks in painting.
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References |
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