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Type :thesis
Subject :N Fine Arts
Main Author :Hasnat, Muhammad Abul
Title :The visual intrepretation of human consciousness and searching identity through the political culture in Bangladesh
Place of Production :Tanjong Malim
Publisher :Fakulti Seni, Komputeran dan Industri Kreatif
Year of Publication :2020
Corporate Name :Universiti Pendidikan Sultan Idris
PDF Guest :Click to view PDF file

Abstract : Universiti Pendidikan Sultan Idris
This  research  aims  to  produce  visual  artwork  through  identity  interpretation  and political  culture  in  Bangladesh.  This  concept  manifests  a  sense  of  the  process  of  expressing Bangladesh's unique identity by making a subtle difference with India. The main  objectives focusing on the Bengal tradition and symbol with artistic practices in pre and  post-liberation in Bangladesh and the evolving current  scene. The reference artists within this  research project  are Safiuddin Ahmed, SM Sultan, Zainul Abedin, Maqbool Fida Husain, Melanie Hava,  Quamrul Hassan, and Shahabuddin Ahmed. The justification  of selected  this  artist  because  they  are  producing  the  issues  of  identity interpretation in Bangladesh's political scenery. The  reference of artworks carried out a suggestion on how the combined traditional folk art and modern  aesthetic framework with specific symbols had been produced. A studio practice method was used  through studio  experimentation,  self-critical reflection,  and  contextual review  approach.  The  research projects contributed to the  field  of Fine  Art  have  established  the  collective  issues on exploiting information, portraying social, political and cultural systems, and the   interpreting  relationship  among  symbols,  tradition,  and  identity.  The  research project  contributed to the correlating of how traditional artwork has been implemented with symbols becomes  a provider of the political and cultural identity of Bangladesh. In  conclusion,  based  on  studio   practices,  a  group  of  artwork  has  been  produced  to portray  a   human  consciousness   and    searching   new   identity  in  the   political  in Bangladesh.  The  implication  of  this   research  explicates  the  statement  of  the  visual aspect   through   Bangladesh's   political    culture   can   be   implemented   through   the construction of contemporary artworks in painting.  

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