UPSI Digital Repository (UDRep)
Start | FAQ | About
Menu Icon

QR Code Link :

Type :article
Subject :M Music
Main Author :Chan, Cheong Jan
Additional Authors :Kwan, Chiou Yueh
Lee, Sze May
Boyle, James
Title :Intertextual observations of Jimmy Boyle’s handwritten manuscripts
Place of Production :Tanjong Malim
Publisher :Fakulti Muzik dan Seni Persembahan
Year of Publication :2020
Corporate Name :Universiti Pendidikan Sultan Idris

Abstract : Universiti Pendidikan Sultan Idris
Our study on Jimmy Boyle (1922-1971) has been one that attempts to unfold the many facets of his creativity against the single-dimensional image of a patriotic songwriter. His sentiments as songwriters of many kinds, a jazz musician, and a cultural enthusiast have been proven through his different branches of work that are at times seem contrasting with each other in compositional styles. As a result of a long term archiving project, this paper reveals the entire set of handwritten artefact left after his death in 1971 and was recovered in Universiti Putra Malaysia in 2014, namely some 177 items of Boyle’s manuscript that contains unpublished, published compositions as well as hand copy of others’ compositions. Main methods employed were that of the construct of taxonomy, and some cross-examination of the items covered within the catalogue mooted by the concept of intertextuality. I argue that Tokumaru’s concept of intertextuality is viable in examining a large number of Boyle’s songs of laconic structures. Through narrating the interlinks between multiple manuscripts surrounding “Mutiara Ku”, “Pulau Pinang” and “Medhini”, the process of composition was brought to life in displaying the all-rounded capacity of Boyle.

References

Anak Bandar Raya. (1961). Composer Jimmy puts the accent of Malayan. The Sunday Gazette, 13.

Augustin, J. F. (1970). Bygone Eurasia: The life-story of the Eurasians of Malaya. Rajiv Printers.

Augustin, P. & Lochhead, J. (2015). Just for the love of it: Popular music in Penang (1930s- 1960s). Strategic Information and Research Development Centre (SIRD).

Benjamin, G. (2002). On being tribal in the Malay world. In G. Benjamin and C. Chou (Eds.), Tribal Communities in the Malay World: Historical, cultural and social perspectives (pp. 7-76). Institute of Southeast Asian Studies (ISEAS).

Benjamin, G. (2019). Music and the cline of Malayness: Sounds of egalitarianism and ranking. In N. Porath (Ed.), Hearing South East Asia: Sounds of hierarchy and power in context (pp. 87-116). Nordic Institute of Asian Studies (NIAS Press).

Bohlman, P.V. (2009). Music before the nation, music after nationalism. Musicology Australia, 31(1), 79-100. https://doi.org/10.1080/08145857.2009.10416582

Boyle, J. (2014). Putera Puteri: The music and legacy of Jimmy Boyle. Akademi Seni Budaya dan Warisan Kebangsaan (ASWARA).

Chan, C. J. (2014). A response to Milner’s ‘Malayness’ from a musical perspective. In G. Jänichen, M. M. Hood & Chinthaka P. Meddegoda. (Eds.), Music and mind (pp. 229-243). Universiti Putra Malaysia Press.

Chan, C. J. & Boyle, J. (2016). Jazz style nationalism and authencity: Lagu Melayu composed with jazz idioms in the 1960s. (pp. 322-341). In Baharudin Ahmad (Ed.), Pengilmuan seni dan 162atrioti kreatif. Akademi Seni Budaya dan Warisan Kebangsaan (ASWARA).

Chan, C. J., Lee, S. M., Boyle, J. (2015). Jimmy Boyle’s sentiments as revealed in the manuscripts of sketches of songs and instrumental melodies. Malaysian Music Journal, 4(1), 84-104. https://ejournal.upsi.edu.my/index.php/MJM/article/view/803

Cheah, S. P. (1969, July 30). Tunesmith Jimmy comes up with a special for Malaysia’s sportsmen. The Straits Times, 16.

Chew, J. (2017, July 22). Malaysia’s music man – Dato’ Ooi Ewe Jin. WordPress. https://dinmerican.wordpress.com/2017/07/22/malaysias-music-man-dato-ooi-eow-jin/

Chua, T. (1966, September 4). Jimmy Boyle of Penang shot up the scales to Bangkok fame. The Sunday Times.

Daus, R. (1989). Portuguese Eurasian communities in Southeast Asia. Institute of Southeast Asian Studies.

Forum record (2019, April 30). Official celebration of international jazz day by the government of Malaysia. ASWARA, Kuala Lumpur.

Hamzah, S.A. (2016a). Branding the Malaysian nation: Tracing the role of popular songs in the construction of an imagined community. Southeast Asian Social Science Review, 1, 152–173.

Hamzah, S.A. (2016b). Penjenamaan bangsa: Lagu-lagu patriotic popular dan pembentukan jenama Malaysia (Publication No. P59597) [Doctoral dissertation]. E-Thesis Universiti Kebangsaan Malaysia.

Hamzah, S.A. (2018). Negaraku: The national anthem binding Malaysians in integration. Institut Kajian Etnik: Institute of Ethnic Studies (KITA).

Hamzah, S.A. (2019). A Malaysian nation brand: The dissemination of it by Radio Malaya via the song Tanah Pusaka. Jurnal Komunikasi: Malaysian Journal of Communication, 35(1), 90–102. https://doi.org/10.17576/JKMJC-2019-3501-07

Hamzah, S.A. & Johan, A. (2020). Malaysian music and social cohesion: Contemporary responses to popular patriotic songs from the 1950s – 1990s. JATI – Journal of Southeast Asian Studies, 25(1), 191–209. https://doi.org/10.22452/jati.vol25no1.10

Jackson, A. Y. & Mazzei, L. A. (2012). Thinking with theory in qualitative research: Viewing data across multiple perspectives. Routledge.

Jähnichen, G. (2012). Jazz in Kuala Lumpur. Jazz Research Journal, 4(2), 141-170. https://doi.org/10.1558/jazz.v4i2.141

Jalil, H.A. (2015, December 27). A Tribute to Ooi Ewe Jin. New Straits Times. https://www.nst.com.my/news/2015/12/119181/tribute-ooi- eow-jin

Jimmy Boyle buried to the sound of his music. (1971, May 9). The Straits Times.

Jimmy Boyle on “Rock and Roll music” (1959, August 13). The Singapore Standard

Johan, A. (2017). Scoring tradition, making nation: Zubir Said’s traditionalised film music for Dang Anom. Malaysian Music Journal, 6 (1), 50-72. https://doi.org/10.37134/mjm.vol6.1.4.2017

Khor, M. (1971, May 11). Song on Rukunegara among Jimmy’s treasure. The Straits Times.

Latour, B. (2005). Reassembling the social: An introduction to actor-network-theory. Oxford University Press.

Lockard, C. A. (1996). From folk to computer songs: The evolution of Malaysian popular music, 1930-1990. The Journal of Popular Culture, 30 (3), 1-26. https://doi.org/10.1111/j.0022-3840.1996.00001.x.

Lohan, R. N. (2015, October 19). Tan Sri Ahmad Merican, the grand old man of broadcasting. The Star. https://www.thestar.com.my/lifestyle/people/2015/10/19/tan-sriahmad- merican-the-grand-old-man-of-broadcasting

Low, L. & Ashri, S. (2015). Play it again: The music of Alfonso Soliano. Poskod.MY. https://poskod.my/features/play-it-again-the-music-of-alfonso-soliano/

Lochhead, J. (2011). The music of Penang in the 1940s and 1950s. Penang State Museum.

Martin, A. (2005). Agents in inter-action: Bruno Latour and agency. Journal of Archaeological Method and Theory, 12(4), 283-311. https://doi.org/10.1007/s10816-005-8450-6

Milner, A. (2011). The Malays (The peoples of South-East Asia and the Pacific). Wiley- Blackwell.

Mohamad, H. (2013). Penang’s popular music of the 1940s, 1950s, 1960s. Penang State Museum.

Mohd Faizal, S. (2010, April 21). Aspirisi jazz pewaris Soliano. Utusan Malaysia. http://ww1.utusan.com.my/utusan/info.asp?y=2010&dt=0421&pub=Utusan_ Malaysia&sec=Hiburan&pg=hi_01.htm

Patterson, I. (2015). Book review: Just for the love of it: Popular music in Penang, 1930s-1960s. All about jazz. https://www.allaboutjazz.com/just-for-the-love-of-it-popularmusic- in-penang-1930s-1960s-jimmy-boyle-by-ian-patterson.php

Penang House of Music. (2017). https://www.penanghouseofmusic.com

Quah, S. S. (2009, April 5). The (almost) forgotten Jimmy Boyle. Blogger. http://ssquah.blogspot.com/2009/04/almost-forgotten-jimmy-boyle.html

Quah, S. S. (2015, September 4). DSPN for Ooi Ewe Jin. Blogger. http://ssquah.blogspot.my/2015/09/dspn-for-ooi-eow-jin.html

Rozells, A. J. & Rodrigues, K. (2002). Penang Eurasian musicians [Conference session]. Penang Story-International Conference 2002, City Bayview Hotel, Penang, Malaysia.

Runnymede Swingtette. (1958, January 27). The Straits Times, 21.

Saint-Cyr, Y. (2012). Northrop Frye’s musical dimensions. University of Toronto Quarterly, 81(1), 123–135. https://doi.org/10.3138/utq.81.1.123

Sarkissian, M. (2000). D’Albuquerque’s children: Performing tradition in Malaysia’s  Portuguese Settlement. The University of Chicago Press.

Tan, S. B. (1993). Bangsawan: A social and stylistic history of popular Malay opera. Oxford University Press.

Tan, S. B. (1996). The 78 RPM record industry in Malaya prior to World War II. Asian Music, 28 (1), 1–41. https://doi.org/10.2307.834504

Tan, S. B. (2005). From folk to national popular music: Recreating ronggeng in Malaysia. Journal of Musicological Research, 24(3), 287-307. https://doi.org/10.1080/01411890500234054

Tan, S. B. (2011). The Multicultural performing arts, crafts, festivals and food of Penang. School of Arts, Universiti Sains Malaysia.

Tan, S. B. (2013). Negotiating ‘His Master’s Voice’: Gramophone music and cosmopolitan  modernity in British Malaya in the 1930s and Early 1940s. Journal of the Humanities and Social Sciences of Southeast Asia, 169(4), 457-494. https://doi.org/10.1163/22134379-12340066

The Sun Daily (2006, March 31). RTM pioneer Ahmad Merican goes down memory lane. http://www.thesundaily.my/node/174482

Tokumaru, Y. (1991). Intertextuality in Japanese traditional music. In Ikegami, Y. (Ed.), The empire of signs: Semiotic essays on Japanese culture. (Foundations of Semiotic 8) (pp. 139-155). John Benjamins. https://doi.org/10.1075/fos.8.07tok

Tokumaru, Y. (1996). Revitalisation of East Asian court music tradition in global network: Reputare nihil insulatum (‘consider nothing isolated’). [Conference session]. The 2nd International Conference on Asian Music, National Center for Korea Traditional Performing Arts (NCKTPA), Seoul, South Korea.

Tokumaru, Y. (2005). Music, signs and intertextuality: Collected papers. Academia Music.

Zieman. (2017, May 9). Out to write songs till his last breath. The Star. https://www.thestar.com.my/metro/focus/2017/05/09/out-to-write-songs-till-his-lastbreath- veteran-composer-ahmad-nawab-also-aims-to-start-online-voic

 


This material may be protected under Copyright Act which governs the making of photocopies or reproductions of copyrighted materials.
You may use the digitized material for private study, scholarship, or research.

Back to previous page

Installed and configured by Bahagian Automasi, Perpustakaan Tuanku Bainun, Universiti Pendidikan Sultan Idris
If you have enquiries, kindly contact us at pustakasys@upsi.edu.my or 016-3630263. Office hours only.