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UPSI Digital Repository (UDRep)
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| Abstract : Universiti Pendidikan Sultan Idris |
| The objective of this article is to construct an analytic framework for new music based on Hegel’s dialectics and focusing on José Maceda’s Music for Gongs and Bamboo (1997) and Mathias Spahlinger’s Gegen Unendlich (1995). This unlikely opposition between two important composers, José Maceda (1917–2004) from the Philippines and Mathias Spahlinger (b. 1944) from Germany, becomes an entry point into discussing the nature of the dialectical process in Hegelian thought, which is rooted in the principle of sublation (German aufheben or aufhebung). Music is seen as a potent human endeavour that underscores sublation when musical works are experienced and the transformations of musical material emerge in the ears and the minds of the listeners. It is for this assumption that the matter of perception pervades through the analysis and the discussions in the paper. Examining the unique compositional processes in both works demonstrates how sublation is a most effective tool in the understanding of the praxis and the composer’s mind-work, especially in both cases where each uniquely challenges the Western traditional harmonic gestalt.
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| References |
Adorno, T. W. (1998). Beethoven: The philosophy of music: Fragments and texts. Stanford University Press. Baes, J. (2017). On the Estella-Santiago dispute: Sublation and crisis in intellectual property rights in 1930s Philippines. In J. S. Buenconsejo (Ed.), Philippine Modernities: Music, performing arts, and language, 1880–1941, pp. 95–110. The University of the Philippines Press. Blunden, A. (2019). Hegel for social movements. Brill. Fine, R. (2001). Political investigations: Hegel, Marx, and Arendt. Routledge. Hegel, G. W. F. (1956). The philosophy of history (J. Sibree, Trans.). Dover. (Original work published 1837) Hegel, G. W. F. (2009). The phenomenology of spirit (The phenomenology of mind) (J. B. Baillie, Trans.). Digireads. (Original work published 1807) Maceda, J. (1997). Music for gongs and bamboo [Unpublished manuscript]. (Premiered in Kyoto, Japan in November 1997) Maceda, J. (1979). A search for an old and new music in Southeast Asia. Acta Musicologica, 51(Fasc. 1), 160–168. https://doi.org/10.2307/93218 Palm, R. (2009). Hegel’s concept of sublation: A critical interpretation [Unpublished doctoral dissertation]. Katholieke Universiteit Leuven. Radnik, B. (2016). Hegel on the double movement of Aufhebung. Continental Thought & Theory. 1(1), 194–206. http://dx.doi.org/10.17613/M6MW6Z Spahlinger, M. (1995). Gegen unendlich (for bass clarinet, trombone, violoncello and piano) [musical score]. Peer Musikverlag. Spahlinger, M. (2015). Political implications of the material of new music. Contemporary Music Review, 34(2–3), 127–166. https://doi.org/10.1080/07494467.2015.1094212
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