UPSI Digital Repository (UDRep)
|
UPSI Digital Repository (UDRep)
|
|
|
| ||||||||||||||||||||
| Abstract : Universiti Pendidikan Sultan Idris |
| Imej tubuh dan tari ialah dua perkara yang sering berkait rapat dalam lapangan seni
persembahan. Sehingga ke saat ini, imej tubuh masih menjadi salah satu fenomena
yang sering dibincangkan oleh penggiat tari khususnya di Kuala Lumpur. Kini
masyarakat mula melihat seakan wujud imej tubuh tertentu yang perlu dipersembahkan
oleh seseorang individu yang bergiat dalam bidang tari. Persembahan teks seperti poster
uji bakat jawatan awam Artis Budaya B 19 pula dilihat memberi cadangan kepada
masyarakat umum gambaran ketinggian dan berat badan seorang penari yang ideal.
Kesan dari hegemoni kebudayaan ini, mula wujud keresahan di kalangan penari dan
penggiat tari terhadap imej tubuh mereka. Karya ini bakal menerbitkan kemungkinan
kepada bagaimana konstruksi imej tubuh penari khususnya di Kuala Lumpur terbentuk
dari hegemoni kebudayaan ini, sekali gus membuka lembaran bagi perbincangan
tentang bagaimana perkara ini dapat diimbangi dengan idea baru iaitu tari sebagai
kebolehan, skil dan bakat dan bukan sesuatu yang diukur daripada persembahan imej
tubuh seseorang semata. |
| References |
The National Department For Culture And Arts. (14 December, 2018). Official Website Of The National Department For Culture And Arts. Retrieved from Official Website Of The National Department For Culture And Arts: http://www.jkkn.gov.my/en
Ainslie, M. J. (2017). Korean Soft Masculinity vs. Malay hegemony: Malaysian masculinity and Hallyu fandom. Korea Observer, 609-638.
Ajau Danis, Ain Nadiah Jamaludin, Hayati Adilin Mohd, Abdul Majid, & Khairil Anuar Md Isa. (2016). Body Image Perception among Dancers in Urban Environmental Setting. Procedia-Social and Behavioral Science 222, 855-862.
Butterworth, J. (2012). Dance studies: the basics. New York: Routledge.
Copeland, R. (2004). Merce Cunningham The Modernizing of Modern Dance. New York: Routledge.
Fakulti Tari, ASWARA Facebook Page. (22 Disember, 2019). Facebook Events. Retrieved from JAMU 2019 Site-Specific Performances: https://www.facebook.com/events/aswara-fakulti-tari/jamu-2019-site-specificperformances/ 1421667421313732/
Gonzales, J. (2004). Movement Manipulation and Choreography. In J. Gonzales, Choreography A Malaysia Perspective (pp. 105-124). Kuala Lumpur: Akademi Seni Kebangsaan.
Gonzales, J. (2011). Construction the National Identity. In J. Gonzales, Dancing the Malaysian (pp. 51-70). Petaling Jaya: Strategic Information and Research Development Centre.
Gonzales, J. (2019). Koreografi Kontemporari Malaysia. Petaling Jaya: Strategic Information and Research Development Centre.
Grogan, S. (2008). Culture and Body Image. In S. Grogan, Body Image Understanding Body Dissatisfaction in Men, Women and Children (pp. 9-40). New York: Routledge.
Kaeppler, A. L. (1972). Method and Theory in Analyzing Dance Structure with an Analysis of Tongan Dance. Ethnomusicology, Vol. 16, No. 2, 173-217.
Mohd Anis Md Nor. (20 Desember, 2019). Elektitisme dan sinkretieme: Kreativiti Penciptaan Tari dan muzik pergaulan melayu abad ke 20. Siri Syarahan Kursi P.Ramlee. Kuala Lumpur, Malaysia: Program Pascasiswazah ASWARA.
Pylvänäinen, P. (2003). Body Image: A Tripartite Model for Use in Dance/Movement Therapy. American Journal of Dance Therapy Vol 25, No.1 Spring/Summer 2003, 39-55.
Rachar, M. (2016). Power, hegemony, and social reality in Gramsci. Journal of Political Power, 9:2, 227-247.
Raman, A., Tyson, G., & Sastry, N. (2018). Facebook (A)Live? Are live social broadcasts really broadcasts? WWW 2018: The 2018 Web Conference, April 23- 27, 2018. Lyon: Creative Commons Attribution 4.0 International.
Schechner, R. (2013). Performance Studies An Introduction Third Edition. New York: Routledge.
Schilder, P. (1950). The Image of The Human Body. Oxon: Routledge.
Sukhanova, E. (2015). Norm(s) and the function of outsider art. In E. Sukhanova, & H.-O. Thomashoff, Body Image and Identity in Contemporary Societies. Psychoanalytic, Social, Cultural and Aesthetic Persepctives. (pp. 11-16). New York: Routledge.
Wan Norshira Wan Mohd Ghazali. (2019). Islam as The State Ideology: Exploring from Gramsci’s Notion of Power, Culture. Jurnal Komunikasi: Malaysian Journal of Communication Jilid 35, 338-352.
Warburton, E. C. (2011). Of Meanings and Movements: Re-Languaging Embodiment in Dance Phenomenology and Cognition. Dance Research Journal, Vol. 43, No. 2 (Winter 2011), 65-83.
Zaharul Lailidin bin Saidon. (2014). Kelestarian dan Pengkomersialan Seni Persembahan Tradisional Melayu dalam Konteks Industri Kreatif: Cabaran & Peluang. Kongres Warisan Melayu Sedunia 2014. Kuala Lumpur. |
| This material may be protected under Copyright Act which governs the making of photocopies or reproductions of copyrighted materials. You may use the digitized material for private study, scholarship, or research. |