UPSI Digital Repository (UDRep)
Start | FAQ | About

QR Code Link :

Type :article
Subject :N Fine Arts
Main Author :Hani Salwah Yaakup
Title :Pembauran budaya luar dalam Kerangka Kepercayaan Melayu menerusi filem bergenre seram
Place of Production :Tanjong Malim
Publisher :Fakulti Seni, Komputeran dan Industri Kreatif
Year of Publication :2021
Corporate Name :Universiti Pendidikan Sultan Idris
PDF Full Text :Login required to access this item.

Abstract : Universiti Pendidikan Sultan Idris
Kerangka Kepercayaan Masyarakat Melayu oleh Mohd Taib Osman (1989) menyatakan, kepercayaan masyarakat Melayu dipengaruhi oleh tiga teras iaitu agama, budaya dan budaya popular. Kajian ini bertujuan menilai representasi kepercayaan Melayu dalam filem seram tempatan. Objektif kajian melihat bagaimana teras kepercayaan direpresentasikan dalam filem seram dalam membina kepercayaan Melayu semasa. Sebanyak 42 buah filem bergenre seram dikenal pasti dan telah dipecahkan kepada tiga era utama iaitu era 1 (1957-1967), era 2 (1981-1991) dan era 3 (2001-2011). Kajian ini menggunakan kaedah kajian analisis tekstual Alan McKee (2003) terhadap filem menerusi pendekatan naratif dan sinematik filem. Hasil mendapati, budaya luar dikenal pasti sebagai teras keempat kepada kerangka ini. Implikasi kajian menyimpulkan bahawa budaya luar juga memberi kesan kepada kepercayaan semasa masyarakat Melayu.  

References

Ahmad Fauzi. (1989). Kesan Khas Dalam Filem Rahsia. Dlm Perbadanan Kemajuan Filem Nasional Malaysia

(FINAS). Cintai Filem Malaysia, hlm 162-165. Kuala Lumpur: Perbadanan Kemajuan Filem Nasional (FINAS).

Amir Muhammad. (2010). 120 Malay Movies. Kuala Lumpur: Matahari Books Sdn. Bhd.

Balmain, C. (2008). Introduction to Japanese Horror Film. Edinburgh: Edinburgh University Press.

Bordwell, D. & Thompson, K. (2008). Film Art: An Introduction. Ed.ke-8. New York: McGraw Hill.

Giannetti, L. (2011). Understanding Movies. Ed. ke-12. Boston: Allyn & Bacon.

Hantke, S. (2007). Academic Film Criticism, the Rhetoric of Crisis, and the Current State of American Horror Cinema: Thoughts on Canonicity and Academic Anxiety. College Literature. 34 (4).

Meraj Ahmed Mubarki. (2013). Mapping the Hindi Horror Genre: Ghosts in the Service of Ideology. History and Sociology of South Asia, 7 (1): 39-60.

Miller, Jeremy Russell. (2012). Crossdressing Cinema: An Analysis of Transgender Representation in Film. Disertasi PhD. Texas A & M University.

McHugh, J. N. (1955). Hantu Hantu: An Account of Ghost Belief in Modern Malaya. Singapura: Donald Moore.

McKee, A. (2003). Textual Analysis: A Beginner’s Guide. London: Sage Publications.

Mohamed El Marzouki. (2011). Mediating terror: Hollywood narratives of terrorism and young Moroccan audiences. Global Media and Communcation, 7: 251.

Mohd Amirul Akhbar Mohd Zulkifli, Amelia Yuliana Abd Wahab & Hani Zulaikha. (2012). The Potential of Malaysia’s Horror Movies in Creating Critical Minds: A Never Ending Philosophical Anecdot. International Proceedings of Economics Development & Research; 48:174.

Mohd Taib Osman. (1989). Malay Folk Belief: An Integration of Disparate Elements. Kuala Lumpur: Dewan Bahasa & Pustaka.

Norizan Muhammad, Nur Aisar Noordin, Siti Wahida Ishak & Haslina Ab Ghani. (2011). Filem Seram Tak Bantu Cambah Minda Masyarakat: Industri Perfileman Wajar Mempunyai Anjakan Paradigma Lebih Jauh, Bukan Untung Semata-Mata. Berita Minggu, 27 Disember. http://ddms.usim.edu.my/bitstream/handle/123456789/5233/27-12-11%20-%20Rencana(23).pdf?sequence=1.

Nelmes, J. (2007). Introduction to Film Studies. Ed. Ke-4. London: Routledge.

Pramaggiore, M. & Wallis, T. (2011). Film: A Critical Introduction. Ed. ke-3. London: Pearson.

Schneider, S. J. (2003). Fear Without Frontiers: Horror Cinema Across the Globe. Surrey: FAB Press. Skeat, W.W. 2005. Malay Magic: Being An Introduction To The Folklore and Popular Religion of The Malay Peninsular. Ed. Ke-2. Kuala Lumpur: MBRAS.

Syed Mohd Zakir Syed Othman. (2010). Filem & Pemikiran. Kuala Lumpur: Pustaka Nusa Publications Sdn Bhd.

Syed Mohd Zakir Syed Othman. (2010). Sinema. Kuala Lumpur: Pustaka Nusa Publications Sdn Bhd.

Tudor, A. (2012). Why Horror? The Peculiar Pleasures Of A Popular Genre. Cultural Studies, 11(3):443-463.

Uhde, J. & Uhde, Y. N. (2003). The Exotic Pontianaks. Dlm Schneider, S. J., (penyt). Fear Without Frontiers: Horror Cinema Across The Globe. Godalming, Surrey: FAB Press.

van Heeran, K. (2012). Contemporary Indonesia Film: Spirits of Reform and ghosts from the past. Leiden: KITLV Press.

Wanda Idris. (2012). Nilai Filem Tempatan. Utusan Malaysia, 10 Julai 2012: Mega 2-3.

Winstedt, R.O. (1925). Shaman, Saiva and Sufi: A Study of the Evolution of Malay Magic. London: Constable & Company Ltd.

Zakaria Ariffin. (2005). Mistik dan Pemikiran Yang Mengelirukan. Filem: Karya dan Karyawan (Kumpulan Esei dan Kritikan Filem). Kuala Lumpur: Akademi Seni dan Warisan Malaysia.


This material may be protected under Copyright Act which governs the making of photocopies or reproductions of copyrighted materials.
You may use the digitized material for private study, scholarship, or research.

Back to previous page

Installed and configured by Bahagian Automasi, Perpustakaan Tuanku Bainun, Universiti Pendidikan Sultan Idris
If you have enquiries with this repository, kindly contact us at pustakasys@upsi.edu.my or Whatsapp +60163630263 (Office hours only)