UPSI Digital Repository (UDRep)
|
|
|
Abstract : Universiti Pendidikan Sultan Idris |
The semiotic thinking design method aims to explain the design form, the relationship
between design form and meaning, and the relationship between space and people in a
specific and systematic way. This method is more comprehensive and opens up a new
field of design method for the interior designers. The purpose of this study is to develop
an interior furnishing design method based on a semiotic thinking method through three
aspects, namely design syntactic, design semantic and design pragmatic. This method
helps in overcoming the problem of design confusion, including from “lack of
continuity”, “lack of meaning” and “crisis of feature”, and achieve the design effect of
“design integration”, ”design meaning” and “design differentiation”. In order to achieve
a better design phenomenon summary and obtain design evaluation, this study used a
qualitative approach involving 33 case studies on typical interior furnishing design
case, and two semi-structured interviews (professional group and public group). As for
design syntactics, the study results showed six basic use methods (surface structure)
and three internal combination rules (deep structure) of design elements, able to deal
with the problem of “lack of continuity” in interior furnishing design. Next, for the
design semantics, the understanding and selective use of three design ideographic ways
can improve the problem of “lack of meaning” in interior furnishing design. Whereas,
for the design pragmatics, consideration of design function and design context can
improve the problem of “crisis of feature”. This semiotic thinking design method can
guide designers to carry out design practice through a more complete perspective. This
method can also be used as a standard and general reference for the evaluation of
interior furnishing design. |
References |
AB Concept. (2019). W Hotel Xi’an. Retrieved from http://www.archina.com/index.php?g=works&m=index&a=show&id=2703. Aeroports de Paris Ingenierie, Zaha Hadid Architects, Beijing Institute of Architectural Design (Group) Co., Ltd. & China Airport Construction Group Corporation. (2019). The terminal area of Beijing Daxing international airport. Architectural Practice (10), 28-39. Ahmadi, B.(2013). The text-structure and textual interpretation. Tehran: Markaz Press. Alam, M. K. (2020). A systematic qualitative case study: questions, data collection, NVivo analysis and saturation. Qualitative Research in Organizations and Management: An International Journal. Alexander, C. (1977). A pattern language: towns, buildings, construction. Oxford university press. Alexander, C. (1979). The timeless way of building (Vol. 1). New York: Oxford university press. Alexander, C., Silverstein, M., Angel, S., Ishikawa, S., & Abrams, D. (1975). The oregon experiment (Vol. 3). Center for Environmental Struc. Al-Sayigh, L. A., & Al-Moqaram, A. M. (2017). Architectural design methodology by typology. International Journal of Architecture (IJA), 3(1), 21-25. Aman. (2008). Aman Hotel at Summer Palace. Retrieved from https://www.aman.com/zh-cn/resorts/aman-summer-palace. Andersen, H., & Kaspersen, L. B. (Eds.) (2000). Classical and modern social theory. Oxford: Blackwell Publishing, 371. Arnheim, R. (1957). Art and visual perception: A psychology of the creative eye. Univ of California Press. Arnheim, R. (1966). Toward a psychology of art: Collected essays (Vol. 242). Univ of California Press. Arnheim, R. (1984). Art and visual perception (First Edition). (Teng Shouyi, Zhu Jiangyuan Trans.). Beijing:China Social Sciences Press. (Original work published 1954). Arnheim, R. (1997). Visual thinking--Psychology of aesthetic intuition. Univ of California Press. Azuma Architect & Associates. (2019). HOSHINOYA Kyoto. Available from https://www.gooood.cn/hoshinoya-kyoto-by-azuma-architect-associates.htm. Bai, X. (2012). Why the proliferation of white houses. World Architecture Review, 27(04):16-18. https:// doi:10.14080/j.aw.2012.04.008. Ball, S. (2010). Rethinking semiotics qualitative research. Amsrs, 6. Barthes, R. (1977). Excerpt: “Empire of Signs”. Visible Language, 11(4), 339. Barthes, R. (1987). Semiotic Aesthetics. (Dong Xuewen, Wang Kui Trans.). Beijing: Liaoning People’s Publishing House, 7. Barthes, R. (1988). Elements of Semiology. (Li Youzhen, Trans.). Beijing: Sanlian Bookstore Press. (Original work published 1964). Basa, I. (2009). Environmental discourse of architecture. International Journal of Environmental Studies, 66(2), 271-279. Basin, E. (1974). Symbol, image, art (On the Semiotic Concept of Charles Peirce). Soviet Studies in Literature,10(4), 34-60. Behrens, R. R. (1998). Art, design and gestalt theory. Leonardo, 31(4), 299-303. Behrens, R. R. (2002). How form functions: On esthetics and gestalt theory. Gestalt Theory, 24(4), 317-325. Bhattacharya, T., & Sen, J. (2017). An exploration of design: based on Pan-Asian semiotics and semantics. In International Conference on Research into Design (pp. 751-762). Springer, Singapore. Blue Moon Design. (2021). Xi’an Red Star Tianbo Club: The integration of contemporary design and culture. Retrieved from https://m.pchouse.com.cn/x/301/3014583.html. Bonta, J. P. (1981). Architecture and its interpretation: A study of expressive systems in architecture. Journal of Aesthetics and Art Criticism, 39(4). Broadbent, G. (1991). Signs, symbols and architecture. (Le Mingchen Trans.). Beijing: China Building Industry Press. Broadbent, G. (1980). Architectural objects and their design as a subject for semiotic studies. Design Studies, 1(4), 207-216. C&C Design CO. (2020). MOMA Star Town Aesthetics Museum. Retrieved from https://www.hisheji.com/project/commercial-building/2020/10/29/100800 C&C Design CO. (2020). Times China·Tianyun Yayuan Real Estate Life Aesthetics Hall. Retrieved from http://www.cocopro.cn/2020/03/19/. Cao, C., & Liu, Y. (2012). Based on the semiotic studies of green building design. In 2012 International Conference on Information Management, Innovation Management and Industrial Engineering (Vol. 2, pp. 324-326). IEEE. Chandler, D. (2007). Semiotics: The basics. London: Routledge. Charmaz, K., & Belgrave, L. (2012). Qualitative interviewing and grounded theory analysis. The SAGE Handbook Of Interview Research: The Complexity of the Craft, 2, 347-365. Chen, B.C.(1996). Architectural formalism -- Towards image thinking. China Architecture and Building Press, 27. Chen, X. (2000).Qualitative research methods and social science research. Beijing: Education Science Press, 109-111. Chen,Q.P.(1989). Architecture and Sign. Taipei: Ming Wen Press. Chomsky, N. (2014). Aspects of the theory of syntax (Vol. 11). MIT press. Classics revisited: National Art Museum of the United States, plan of East Hall, (2018). Available from http://www.bml365.com/show/study/detail/101. CLV. Design. (2021). Xirui Guanghua Club -- The curve from God. Retrieved from https://mp.weixin.qq.com/s?src=11×tamp=1627187747&ver=3211&signature=o3TwUoStRU7pNnwVpmrhFy0OTIK53Xq5UBpIi6PEJJ2AC3phH*Um7J4uxTH2sfWsHlTnVZX19aNCCIxRZb6jhgQDBA9n4V32ZaTiOwZzJaoGfn5TwFUztWNpQXh4UIq6&new=1. Collins, P. (1998). Changing ideals in modern architecture. Montreal: McGill-Queen’s University Press. Collins, P. (1998). Changing ideals in modern architecture. Montreal: McGill-Queen’s University Press. Corbin, J., & Strauss, A. (2014). Basics of qualitative research: Techniques and procedures for developing grounded theory. California: Sage publications. Croce, B. (2007). Aesthetic theory. (Zhu Guangqian Trans.). Shanghai People’s Publishing House. Day, K. (1999). Design of urban space: An inquiry into a socio-spatial process. Journal of the American Planning Association, 65(1), 122-123. De Saussure, F. (1980). Course in general linguistics (Gao, Mingkai, Trans.). Beijing: The Commercial Press. (Original work published 1916). Deely, J. N. (1982). Introducing semiotic: Its history and doctrine (Vol. 287). Bloomington: Indiana University Press. Deely, J. N. (1990). Basics of semiotics (Vol. 568). Bloomington: Indiana University Press. Deni, M., & Zingale, S. (2017). Semiotics in design education. Semiotics by design. The Design Journal, 20(sup1), S1293-S1303. Department of Architecture. (2010). Hilton Pattaya, Thailand. Retrieved from https://www.archdaily.cn/cn/734085/ba-ti-ya-xi-er-dun-jiu-dian-slash-department-of-architecture. Department of Architecture. (2010). The Hilton Pattaya Hotel. Available from https://www.hilton.com.cn/zh-cn/hotel/Pattaya/hilton-Pattaya-BKKHPHI/index.html. DesiDaily. (2021). Blue Bay Town: Xiaolu. Retrieved from https://mp.weixin.qq.com/s?src=11×tamp=1627186299&ver=3211&signature=o3TwUoStRU7pNnwVpmrhFy0OTIK53Xq5UBpIi6PEJJ0wHf-CmoHXlSyvyNJZob3EupPe6zOMlKbp-Tvh42pOO4h3dEtPafM0H2phesmZa7p2BbWrUvhB1QZvbfHiUeaM&new=1. Despard, E. (2012). Cultivating security: Plants in the urban landscape. Space and Culture, 15(2), 151-163. Ding, P., Chi, K. & Sun, D. (2012). Thoughts on operation of classical exploratory research methods for management innovation: Case study and grounded theory study. Guangzhou: Journal of Science and Technology Management Research. Du, D. (2008). Summary of western linguistic history. Beijing: Beijing Jiaotong University Press. Dylgjeri, A., & Kazazi, L. (2013). Deixis in modern linguistics and outside. Academic Journal of Interdisciplinary Studies, 2(4), 87-87. https://doi.org/10.5901/ajis.2012.v2n4p87 Eilouti, B. (2017). Sinan and Palladio: A comparative morphological analysis of two sacred precedents. Frontiers of architectural research, 6(2), 231-247. Elkins, J. (2003). What does peirce’s sign theory have to say to art history? Culture, Theory & Critique, 44(1), 5-22. Emiroglu,M.K.(2017). Design semiotics and post-structuralism. Tics, 999-1005. Fan, M. & Wu, J. (2009). Qualitative research. Shanghai: Gezhi Press. Fiordo, R. (2011). Contributions to general semantics from charles morris: an abstraction. ETC: A Review of General Semantics, 68(2), 156-177. Fiske, J. (1990). Introduction to communication studies (2nd ed.). London and New York: Routledge. Föhl, T., & Neumann, A. (2009). Henry van de Velde. na. Fontana, A., & Frey, J. (1994). The art of science. The Handbook of Qualitative Research, 36(13), 76. Fontana, A., & Frey, J. H. (2000). The interview: From structured questions to negotiated text. Handbook of Qualitative Research, 2(6), 645-672. Fontanille, J. (2006). The semiotics of discourse. (H. Bostic, Trans.). New York: Peter Lang Publishing, Inc. (Original Work Published 1998) Franklin, C., & Ballan, M. (2001). Reliability and validity in qualitative research. The Handbook of Social Work Research Methods, 4, 273-292. Fu, K., Zhang, Y., & Lin, X. (2019). The automatic evaluation of regularity and semantic decodability in wallpaper decorative patterns. Perception, 48(8), 731-751. Fununitdesign. (2019). YMCA Hotel. Retrieved from http://www.fununitdesign.com/design_detail?id=34. Gao, M. (1995). Language theory. Beijing: The Commercial Press. Gao, M. (1995). Language theory. Beijing: The Commercial Press. Gao, Y. (editor-in-chief). (1993). Seminar proceedings on architectural form and culture. Beijing: Beihang University Press. Grütter, J. K. (1987). Ästhetik der architektur grundlagen der architektur-wahrnehmung. Springer-Verlag. Guirguis, M. N., Dewidar, K. M., Kamel, S. M., & Iscandar, M. F. (2018). Semiotic analysis of contemporary Coptic Orthodox church architecture: A case study of Virgin Mary and Saint John the Baptist church in Bab El Louk, Cairo, Egypt. Ain Shams Engineering Journal, 9(4), 3093-3101. Guo, H. (2004). Interpretation of architectural archetype. Wuhan: Huazhong Science and Technology University Press. Guo, J. (2007). Architecture & Linguistics-An Analysis of Application and Research on Architectural Semiology and Space Syntax. (Master’s degree thesis, Tianjin University), P33. https://kns.cnki.net/KCMS/detail/detail.aspx?dbname=CMFD2009&filename=2008186121.nh. Guo, X. (2018). An analysis of convergent residential architecture and its influence on urban construction. (Master’s degree thesis, Qingdao Technological University), P2-16. Haddad, E. (2009). Charles Jencks and the historiography of Post-Modernism. The Journal of Architecture, 14(4), 493-510. https://doi.org/10.1080/13602360902867434 Haddad, E. G. (2003). On Henry van de Velde’s manuscript on ornament. Journal of Design History, 16(2), 119-138. Hays, K. M. (Ed.). (2000). Architecture theory since 1968. MIT press. 112-114. Heinonen, S., & Minkkinen, M. (2016). Interpreting built cityscape: Deconstructing the metaphorical messages of futuristic buildings. Futures, 84, 163-177. Hervey, S. (2016). Semiotic perspectives. Routledge, 3-58. Hill, K. (2016). Amanemu. Available from https://www.aman.com/zh-cn/resorts/amanemu. Hogenson, G. B. (2004). Archetypes: Emergence and the psyche’s deep structure. In Analytical Psychology. Routledge, 44-67. Holt, M. (2017). Semiotics and design: Towards an aesthetics of the artifical. The Design Journal, 20(Sup1), S332-S341. Howieson, J.(2021). Guide To Seeing Reykjavik In One Day. Available from https://onceuponajrny.com/reykjavik-in-one-day/. Hsu, C. C., & Shih, C. M. (2010). Representing cultural symbols of the aborigines: a case study of reconstructed elementary schools in Taiwan. Journal of Asian Architecture and Building Engineering, 9(1), 193-200. Hu, X. (2016). Innovative application of regional symbols in environmental design of urban cultural and creative park. In 2nd International Conference on Arts, Design and Contemporary Education (pp. 536-540). Atlantis Press. Huang, Y. (2010). Furnishing art designer’s manual. Beijing: China Building Industry Press. . (2016). Furniture Finds: 11 of our favorite items from IKEA’s new Brazilian-inspired collection. Available from https://www.livabl.com/2016/03/furniture-finds-ikea-brazilian-collection.html. Ismail, A. S., Mohidin, H. H. B., & Sani, M. S. M. (2017). The effectiveness of public park management and design for sustainable livelihood in malaysian context. Advanced Science Letters, 23(9), 8402-8407. Jean-michel, G. (2006). Amanyara. Available from https://www.aman.com/resorts/amanyara. Jean-michel, G. (2009). Aman Sveti Stefan. Available from https://www.aman.com/resorts/aman-sveti-stefan. Jencks, C. A. (1978). The language of post-modern architecture. Journal of Aesthetics and Art Criticism, 37(2). https://doi.org/10.2307/429857 Jiang, C.(2013). Roland Bart’s semiotic aesthetics research. Nanjing: Jiangsu University Press. Jiejie Studio. (2018). Zishen Small Courtyard . Retrieved from https://www.archdaily.cn/cn/922333/bei-jing-zi-sheng-xiao-yuan-jie-jie-gong-zuo-shi. Johnson, J. (1975). Doing field research. New York: Free Press, 50. Johnson, R. B. (1997) Examining the validity structure of qualitative researeh. Edueation, 118(2):282-292. Jovicic, J. (2009). The quest for meaning: A guide to semiotic theory and practice. University of Toronto Quarterly, 78(1), 149-149. Juan, S., Banu, M. & Yacine, G. (2021).Assessing architectural color preference after Le Corbusier’s 1931 Salubra keyboards: A cross cultural analysis. Frontiers of Architectural Research (prepublish),. https://doi:10.1016/J.FOAR.2021.03.002. Jung, C. G. (2014). Four archetypes. Routledge. Kandinsky, W. (2012). Concerning the spiritual in art. Courier Corporation. Kazmierczak, E. T. (2003). Design as meaning making: From making things to the design of thinking. Design Issues, 19(2),45-59. Khachan, V. (2012). Courtroom proverbial murals in Lebanon: A semiotic reconstruction of justice. Social Semiotics, 22(3), 333-347. Kirk, J. & Miller, M. L. (1986). Reliability and validity in qualitative research. Beverly Hills : Sage Publieation. Koerner, E. F. K. (1985). ‘The Place of Saussure’s Memoire in the development of historical linguistics,’ in Jacek Fisiak (ed.) Papers from the Sixth International Conference on Historical Linguistics,(Poznan, Poland, 1983) John Benjamins Publishing, pp.323-346, p.339. Kurokawa, K. & Kuma, K. (2004). Apartment avant-garde. (Qin Li Trans.). Beijing: China Building Industry Press. Lang, J. (2002). Creating architectural theory: The role of the behavioral science in environmental design. University of Tehran publication. Leila, C. A., & Naima, C. C. (2016). Understanding architectural design: Expressive and figurative paradigms. Procedia-Social and Behavioral Sciences, 216, 744-753. Lens°ass Architects. (2013). Belgian Hasselt court. Retrieved from https://www.gooood.cn/courthouse-hasselt-lens-ass.htm?is_mobile=true&ivk_sa=1024320u. Leone, M. (2017). Cultural semiotics as fluxorum scientia. Proceedings of the 12th World Congress of the International Association for Semiotic Studies (IASS/AIS), 112. Li, J. (2016). Decoration design book. Beijing:China Electric Power Press. Li, Q. (2015). Analyses of the Furnishings Design in Modern Household, Furniture & Interior Design, (07), 26-27. doi:10.16771/j.cnki.cn43-1247/ts.2015.07.023. Li, Y. (2007). Introduction to theoretical semiotics. Beijing: Renmin University of China Press, 45. Li, Y. (2013). The practice of the symbolic significance in landscape design. In Advanced Materials Research (Vol. 790, pp. 502-505). Trans Tech Publications Ltd. Liang, S. (1954). Characteristics of Chinese architecture. Architectural Journal, (01), 36-39. https:// doi: CNKI:SUN:JZXB.0.1954-01-006. Liang, S. (1954). Characteristics of Chinese architecture. Architectural Journal, (01), 36-39. https:// doi: CNKI:SUN:JZXB.0.1954-01-006. Lin, H. (2009). Reliability and validity in qualitative research, Harbin: Harbin Engineering University. Lincoln, Y. S. (1995). Emerging criteria for quality in qualitative and interpretive research. Qualitative Inquiry, 1(3), 275-289. Lippmann, W. (1986). Contemporary Aesthetics. (Deng Peng Trans.). Beijing: Guangming Daily Press, 7. Liu, H. (2018). The key link to realize the overall design effect of space --The furnishing design. Changsha: Yihai. Liu, W., Huang, Z., & Liu, X. (1986). Linguistics summary. Beijing: Beijing Normal University Press. Liu, W., Huang, Z., & Liu, X. (1986). Linguistics summary. Beijing: Beijing Normal University Press. Liu, Z. (2013). The significance perception of landscape under semiotic perspective. Acta Horticulturae, (999), 213-217. Liu, Z., Liu, J., & Yang, H. (2018). Interior furnishing design and environmental art. Beijing: Tsinghua University Press. Logica Architettura. (2012). Home Delicate Restaurant. Available from https://gavindesign.com/milan-italy-the-home-delicate-design-theme-restaurant.html. Lu, Y. (2021). Discussion on the art of interior furnishings. Research on fine arts Education. (07),110-111. Malhis, S. (2016). Narratives in Mamluk architecture: Spatial and perceptual analyses of the madrassas and their mausoleums. Frontiers of Architectural Research, 5(1), 74-90. Mandarin Oriental. (2014). Mandarin Oriental Pudong, Shanghai. Retrieved from https://www.mandarinoriental.com.cn/shanghai/pudong/luxury-hotel Manning, P. K. (2004). Semiotics and data analysis. Handbook of Data Analysis. M. Hardy & A. Bryman, eds. London, Thousand Oaks, and New Delhi: SAGE Publications. Maslova, V. A. (2018). The main trends and principles of modern linguistics. Russian Language Studies, 16(2), 172-190. https : //doi.org/10.22363/2313-2264-2018-16-2-172-190 Maxwell, J. (2005). Qualitative Research Design. Thousand Oaks: Sage. Mediterranean Homes. (2017). Available from https://www.pinterest.com/pin/468937379951239013/. Mendelsohn, A.(2017). How Analog and Digital Came Together in the 1990s Creation of the Guggenheim Museum Bilbao. Available from https://www.guggenheim.org/blogs/checklist/how-analog-and-digital-came-together-in-the-1990s-creation-of-the-guggenheim-museum-bilbao?utm_medium=website&utm_source=archdaily.com. Miles M. B. & Huberman A. M. (2008). Qualitative data analysis: Methods and practices. (Zhang fenfang. Trans.). Chongqing: Chongqing University Press. Miller, D. C., & Salkind, N. J. (2002). Handbook of research design and social measurement. Sage. Mina. (2013). Reborn as the old library, Andaz Hotel becomes the fantasy world of Moooi. Available from http://www.mottimes.com/cht/article_detail.php?serial=474&type=1. Mitchell, W. J. (1990). The logic of architecture: Design, computation, and cognition. MIT press. Moghtadaie, M. M. (2009). The criteria to evaluate the possibility of formation. record and transfer of public memories in the City–Tehran Case Study. Honar-Ha-Ye-Ziba, 37, 5-16. Mohidin, H. H. B., & Ismail, A. S. (2014). Responsive design approach in modern Malaysian administrative building. Procedia-Social and Behavioral Sciences, 153, 330-340. Mondrian, P.(1930). Mondrian, Composition with Red, Blue, and Yellow. Available from https://www.khanacademy.org/humanities/ap-art-history/later-europe-and-americas/modernity-ap/a/mondrian-composition. Monga, C., & Das, A. K. (2019). Semiotic analysis: A study to identify the design elements of Namghar in Assam. In Research into Design for a Connected World (pp. 343-354). Springer, Singapore. Morris, C. W. (1938). Foundations of the Theory of Signs. In International encyclopedia of unified science (pp. 1-59). Chicago University Press. Morris, C. W. (2011). Symbols, language and behavior. (Luo Lan, Zhou Yi, Trans.).Shanghai: Shanghai People’s Publishing House (Original work published 1964). Mu, X. (1996). Artistic thinking in architectural creation. (The First Edition). Shanghai: Shanghai Tongji University Press. Munro, T.(1984). Toward science in aesthetics. (Shi Tianshu & Ten Shouyao.Trans.). Beijing: China Literature and Art Joint Publishing Company. (Original work published 1965). Nadin, M. (1987). Design and semiotics. Newsdays. (2011). Yuehe hotel. Retrieved from http://www.newsdays.com.cn/Case/detail/id/141.html. Newsdays. (2014). Anji Narada Resort Hotel. Retrieved from http://www.newsdays.com.cn/Case/detail/id/170.html. Newsdays. (2014). The Forbidden Academy of the Forbidden City. Retrieved from http://www.beijingnewsdays.cn/index.php?m=content&c=index&a=show&catid=42&id=46. Niu, G. (2011). The Esthetic of Order in Buildings. Zhejiang Construction, (02), 4-7. https:// doi:10.15874/j.cnki.cn33-1102/tu.2011.02.008. Nota Architects. (2018). Seesaw Coffee. Retrieved from https://www.archdaily.cn/cn/916875/seesaw-coffeezhao-yang-da-yue-cheng-nota-architects. Ogden, C. K., & Richards, I. A. (1923). The meaning of meaning: A study of the influence of language upon thought and of the science of symbolism.(Vol. 29). A Harvest Book, New York: Harcourt, Brace & World, Inc. Pan, W. (2013). Interior furnishing design. (The third edition). Beijing: China Building Industry Press. Pan, W., & Qiu, X. (2008). Thoughts over interior furnishing design. Journal of Art & Design (03), 16-19. https://doi:10.16272/j.cnki.cn11-1392/j.2008.03.034. Pang, L. (2008).Composition teaching research. Nanjing: Nanjing University of the Arts, P100. Parsaee, M., Parva, M., & Karimi, B. (2015). Space and place concepts analysis based on semiology approach in residential architecture. HBRC Journal, 11(3), 368-383. Patin, T. (1993). From deep structure to an architecture in suspense: Peter Eisenman, structuralism, and deconstruction. Journal of Architectural Education,47(2). Patton, M. (2002). Qualitative evaluation and research methods. Newbury Park: Sage. Peirce, C. S. (1955). Philosophical writings of Pierce. (J. Bachler Eds.). New York: Dover Publications. Peirce, C. S. (1991). Peirce on signs: Writing on semiotic. (J. Hoppes Eds.). The University of North Carolina Press. Peng, P. (1980). Design of Xiangshan Hotel—An approach on modern Chinese architecture. Architectural Journal (04), 14-19. http://doi:CNKI:SUN:JZXB.0.1980-04-003. Pereira, G., & Pinto, S. (2017). The semio-pragmatics of architecture. Architectural Theory Review, 21(1), 62-72. Permatasari, R. C. (2018). Aesthetic research of the building heritage Toko Merah Roland Barthes semiotic approach. In IOP Conference Series: Materials Science and Engineering (Vol. 453, No. 1, p. 012070). IOP Publishing. PR Newswire. (2014). Grand Hyatt Hotel officially opened recently. Retrieved from https://www.prnasia.com/story/108117-1.shtml Prada. (2007). Store Locator Shop G4, Alexandra House, Central, Hong Kong. Available from https://www.prada.com/hk/hk.html. Prato, G. B., & Pardo, I. (2013). Urban anthropology. Urbanities, 3(2), 80-110. Puech, C. (2004). Saussure and structuralist linguistics in Europe. The Cambridge Companion to Saussure, 124-138. Qiao, G. (2014). The teaching exploration and practice of furnishing design course. Journal of Art & Design (11), 188-119. https://doi:10.16272/j.cnki.cn11-1392/j.2014.11.032. Qiao, X. (2020). Research on Color of Villa Savoye. Urbanism and Architecture, 17(32), 76-80 Qiu, H. (2013). Study on the origin of interior furnishing art. Design Research (02), 1-4+18. https://doi:CNKI:SUN:JCGS.0.2013-02-000. Qiu, H., & Lei, J. (2013). Culture blossoming in furnishing design--A brief discussion on interior regional furnishing design. Journal of Art Panorama, 4(08), 124-125. Raharja, I. (2017). East and west cross cultural semiotics: On Taman Ujung Bali architecture. Cultural, 14(1), 159-169. Reason, P. (1981). Issues of validity in new paradigm research. Human inquiry: A sourcebook of new paradigm research, 239-262. Restaurant & Bar Design Awards. (2014). The Pearl Bar. Available from https://restaurantandbardesignawards.com/awards-archive/2014. Rochberg-Halton, E., & McMurtrey, K. (2007). The foundations of modern semiotic: Charles Peirce and Charles Morris. The American Journal of Semiotics, 2(1/2), 129-156. Rose, G. (2007). Visual methodologies: An introduction to the interpretation of visual materials (2nd Ed.). SAGE Publications Inc.. Rossi, A. (2006). The architecture of the city. (Huang Shijun Trans.). Beijing: China Building Industry Press. (Original work published 1998). Rowe, H. A. (2011). The rise and fall of modernist architecture. Inquiries Journal, 3(04). Rubin, H. J., & Rubin, I. S. (2011). Qualitative interviewing: The art of hearing data. Thousand Oaks, CA: Sage Publications, Inc. Rykwert, J. (2009). Order: Myth, Meaning and Beauty in Architecture. The Architectural Review, 226(1353), 94-95. SAKO Architects. (2009). Beijing pixel show room by SAKO Architects. Retrieved from http://archgo.com/index.php/factory/station/station/main.php?option=com_content&view=article&id=1583:pixel-in-beijing-modelroom-sako-architects&catid=81:activity-center&itemid=100#. Sam. (2014). Chinese restaurant Song·Qi. Retrieved from http://mixinfo.id-china.com.cn/a-14283-1.html. Sasani, F. (2003). Multidimensional semiotics and art. Khial (Farhangestan-e-Honar)(5), 90-101. Sebeok, T. A. (2001). Signs: An introduction to semiotics. University of Toronto Press. Sebeok, T. A., & Danesi, M. (2012). The forms of meaning. De Gruyter Mouton. Seidman, E.(2009). Interviews in qualitative research: a guide for educational and social science researchers. Chongqing: Chongqing University Press, P61. Shao, P. (2015). Communication (The third edition). Beijing: Higher Education Press. Sharma, A. (2015). Urban greenways: Operationalizing design syntax and integrating mathematics and science in design. Frontiers of Architectural Research, 4(1), 24-34. Shen, F. (1992). Architectural Culture. Wuhan: Huazhong Architecture Press. Shen, F. (2012). Architectural aesthetics. China Architecture and Building Press. Shu, B. (2002). Semiotic Thought and Architecture Design. (Master’s degree thesis, Chongqing University), P2-16. Simon, H. A. (2019).The Sciences of the Artificial. Cambridge : MIT Press. Skidmore, A. (1981). Peirce and semiotics: An introduction to Peirce’s theory of signs. In R. T. De George (Eds.), Semiotic Themes (pp. 33-p50). Lawrence: University of Kansas Publications. Smith-Shank, D. L. (Eds.). (2004). Semiotics and visual culture: sights, signs, and significance. National Art Education Association. 1916 Association Drive, Reston, VA 20191. Smyth, M., & Edmonds, E. (2000). Supporting design through the strategic use of shape grammars. Knowledge-Based Systems, 13(6), 385-393. SODA. (2018). Seesaw Coffee. Retrieved from https://www.archdaily.cn/cn/911628/bu-yu-ka-pei-ying-ke-dian-sodajian-zhu-shi-wu-suo. Söderqvist, L. (2011). Structuralism in architecture: A definition. Journal of Aesthetics & Culture, 3(1), 5414. Söderqvist, L. (2011). Structuralism in architecture: A definition. Journal of Aesthetics & Culture, 3(1), 5414. Sperlich, W. B. (2006). Noam Chomsky. Reaktion Books. Stevens, A. (2012). The archetypes. In the Handbook of Jungian Psychology (p.88-107). Routledge. Sun, X. (2011). A case study of grounded theory in in-depth interview research. Journal of Xi’an Jiaotong University (Social Science Edition) (06), 87-92. https:// doi:10.15896/j.xjtuskxb.2011.06.014. Sun, X. (2012). Empirical analysis of in-depth interview research methods. Journal of Xi’an Jiaotong University (Social Science Edition) (03), 101-106. https:// doi:10.15896/j.xjtuskxb.2012.03.019. Tan, L. (2011). A review of environmental symbology: Origins and contributions toward a theoretical framework. Journal of interior design, 36(2), 39-49. Tao, R., & Xue, Y. (2018). Interior Design and Market Application, Industrial Design, (11),82-83. Taylor, S. and Bogdan, R. (1998). Introduction to qualitative research methods: A guidebook and resource (3rd Ed.). New York: John Wiley & Sons, Inc.. THAD. (2014). Underground Student Activity Center, South District, Tsinghua University. Retrieved from https://www.thholding.com.cn/news/show/contentid/3623.html. Tian, J. (2008). “Three components” of the introduction. Journal of Art & Design (03), 71. https:// doi:10.16272/j.cnki.cn11-1392/j.2008.03.042. Trochim, W. M., & Donnelly, J. P. (2001). Research methods knowledge base (Vol. 2). Atomic Dog Pub. Tuttle, E. (2005). Amanbagh. Available from https://www.aman.com/zh-cn/resorts/amanbagh. Van Leeuwen., T. (2005). Introducing social semiotics: An introductory textbook. Psychology Press. Venturi, R., Stierli, M., & Brownlee, D. B. (1977). Complexity and contradiction in architecture (Vol. 1). The Museum of modern art. Wang, C. (2022). Research on regional commercial space Design from the perspective of anti-convergence design. (Master’s degree thesis, Donghua University), P2-16. Wang, J. (2007).Case study method and its related academic norms. Journal of Tongji University (Social Science Edition)(03), 87-95+124. Wang, J. (2018). Applied Research on Semiotics in Interior Design. (Doctoral degree thesis, University of Pecs), P1. Wang, J., Medvegy, G., & Zhang, C. F. (2019). Applied research on semiotics in industrial style interior design. Pollack Periodica, 14(1), 213-222. Wang, L. (1997). Source of chinese classical architecture culture. Shanghai: Tongji University Press. Wang, L., & Shu, P. (2004). Typology Architecture. Tianjin: Tianjin university Press. Wang, M. (2007). On the Construction of a Theoretical System of Linguistic Semiotics. Journal of Foreign Languages Research (01), 104. https://doi:10.16263/j.cnki.23-1071/h.2007.01.019. Wang, Q., & Heath, T. (2011). Towards a universal language of the built environment. Social Semiotics, 21(3), 399-416. Wen, J. & Jiang, Y. (2010). Introduction to qualitative research. Peking University press. Whyte, W. (2006). How do buildings mean? Architecture History and Theory,45(2), 153-177. WJID. (2021). The cloister apartment, a tour of old shanghai. Retrieved from https://www.sohu.com/a/455628005_696292. Woodhaus,N. (2020). Experience Deplar Farm’s luxurious adventure at the edge of the earth [Iceland]. Available from https://trendland.com/experience-deplar-farms-luxurious-adventure-at-the-edge-of-the-earth-iceland/. Wu, C. (2013). Semiotics and New Urbanism in North Texas: Comparing Designer Intention and User Perception. 72. Wu, L. (2014). Architectural culture and regional architecture. Architecture & Culture. 4(07), 32-35. Wu, T. (2015). The spatial signification of Shanghai Shikumen Longtang: A semiotic approach. Chinese Semiotic Studies, 11(1), 1-37. Xi, J., & Zhang, S. (2015). Semiotic interpretation of residential interior design-- expression of spiritual symbols. In 2015 International Conference on Industrial Technology and Management Science. Atlantis Press. Xie, Y. (2017). Explore the function of symbol in design. Journal of Design (01), 48-49. Xie, Y. (2018). Interior Furnishing Design Curriculum Reform Based on Theme Perspective. Art Education Research, 21, 114-115. Xiong, B. (2001).Qualitative Research Methods: An Exploration from the Perspective of Social Gender. Sociological Studies (05), 17-33. https://doi:10.19934/j.cnki.shxyj.2001.05.002. Xu, C. (2020). Cultural inheritance · regional architecture · spirit of The Times Construction and Architecture (06), 68-70. Xu, H. (2008). Design semiotics. Beijing : Tsinghua University press. Yan, P. H. (2014). The Study of Design Semiotics and Architectural Space Semantics. In 2015 International Conference on Material Science and Applications (icmsa-15) (pp. 460-463). Atlantis Press. Yang, Y. (2015). Research of individual furnishing design of living space. Hubei University of Technology Press. https://kns.cnki.net/KCMS/detail/detail.aspx?dbname=CMFD201502&filename=1015900472.nh. YAYImages. (2017). Streets of Santorini. Available from https://cn.depositphotos.com/258566794/stock-photo-entrance-whitewashed-house-santorini-island.html. Yin, R. K. (2005). Case studies: design and methods. (Zhou Haitao Et Al. Trans.). Chongqing: Chongqing University Press, P16-25. Yin, R. K. (2005). Application of case study methods. (The third edition) (Zhou Haitao Et Al. Trans.). Chongqing: Chongqing University Press. Yu, J. (2009). Research on Furniture Morphology Based on Semiotic Theory. (Doctoral degree thesis, Nanjing Forestry University), P8-10. Yu, R. (2011). Hegel on symbolism and symbolic art. Journal of Jianghan University (Humanities Science Edition), 30(02), 32-35. Zevi, B. (1978). The modern language of architecture. Australian National University Press. Zhang, J.(2006). The Enlightenment of Generalized Semiotics to Art Design. (Master’s degree thesis, Central Academy of Fine Arts), P4-6. Zhang, K. (2020). Research on the Five-color System of Beijing Ancient Capital Buildings. Beijing University of Civil Engineering and Architecture.P19. https:// doi:10.26943/d.cnki.gbjzc.2020.000083. Zhao, Y.(2012). Semiotics. Nanjing : Nanjing University Press. https://kns.cnki.net/KCMS/detail/detail.aspx?dbname=CMFD201501&filename=1015516860.nh. Zheng, H. & Wen, A.(2021). To solve the problem of urban convergence by urban art design. Beijing Planning Review (05), 204-207. Zhu, D. (2022). The Development and Prospect of The New Semiotics Movement: A Study on the New Trend of Contemporary Semiotics (1980-2020) by Zhao Xingzhi. Signs & Media, (01),259-266. doi:10.13760/b.cnki.sam.202201020am.202102018. Zhu, X. (2009). Archetype ideas in western architecture theories. Huazhong Architecture (01), 39-41. https:// doi:CNKI:SUN:HZJZ.0.2009-01-022. Zou, Q. (2018). Case study method: A comprehensive perspective. Chinese Social Sciences Today, 2018-08-14, 005.
|
This material may be protected under Copyright Act which governs the making of photocopies or reproductions of copyrighted materials. You may use the digitized material for private study, scholarship, or research. |