This  research  aims  to  produce  visual  artwork  through  identity  interpretation  and political  culture  in  Bangladesh.  This  concept  manifests  a  sense  of  the  process  of  expressing Bangladesh's unique identity by making a subtle difference with India. The main  objectives focusing on the Bengal tradition and symbol with artistic practices in pre and  post-liberation in Bangladesh and the evolving current  scene. The reference artists within this  research project  are Safiuddin Ahmed, SM Sultan, Zainul Abedin, Maqbool Fida Husain, Melanie Hava,  Quamrul Hassan, and Shahabuddin Ahmed. The justification  of selected  this  artist  because  they  are  producing  the  issues  of  identity interpretation in Bangladesh's political scenery. The  reference of artworks carried out a suggestion on how the combined traditional folk art and modern  aesthetic framework with specific symbols had been produced. A studio practice metho.....

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