Razak Abdul Aziz (1959 - ) has been inking down his music from the early 1980?s. Still writing new   works,  he  had  composed  music  for  various  medium  of  instrumentations  – giving special  attention to the piano either as  a soloist or a collaborator.  Although this composer  has  been   in  the  contemporary  music  scene  for  nearly  40  years,  scholarly writings  on  his   compositions  are  extremely  scarce.  His  works  were  only  actively performed  in  the  early   1990s  and  only  starting  to  regain  attention  in  the  recent  years, locally and abroad. This  practice-led research focuses on my take as a co-creator of the selected piano works of Razak Abdul  Aziz, viewing it using Rosenblatt?s three principles of  Transactional  Theory,  while  quoting   examples  of  inspirations  in  works  by  other composers to set the tone of the theoretical  frameworks of this dissertation. Th.....

4412 hits