AbstractThis qualitative research explores the complex domain of comedy films in Indonesia and Malaysia, revealing the subtle cultural conflicts embedded within their mise-en-scène. This study examines the transforming function of cross-border humour, drawing upon Alfred Gell's notion of the "technology of enchantment.". By thoroughly examining four specific humour approaches, namely Language, Logic, Identity and Action, this study sheds light on the interconnected relationship between cultural negotiations and the development of shared experiences. The analysis of these films unveils cross-cultural humour, as a form of enchanting technology skilfully utilised by filmmakers to overcome intricate cultural disparities. This research examines the role of humour as a tool of enchantment, which can transcend linguistic, cultural, and social barriers and bring about significant changes in transcultural contacts. These films effectively combine elements of horror with humour, integrating feelings of.....