Reflecting on what is currently happening to artistic research in an academic setting, we identified three domains of knowledge that must be interpreted appropriately. In the present article, these three domains of knowledge to which we refer are covered the way we think about art, the way art is processed, and the art works itself. The way we think about art is closely related to the profile of knowledge which is philosophically known as ontology. The way art to be processed is closely related to the structure of knowledge which is philosophically known as epistemology. Meanwhile, the art works itself is closely related to the value of knowledge which is philosophically known as axiology. These three aspects play a role in determining the artistic research paradigms carried out in an academic environment. Based on literature review, we have classified artistic research into two paradigms. The first paradigm, we called artistic as research, in which this notion is representation that a.....

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Artistic freedom, the influence of the French revolution and the massive development of musicology had a significant influence on the variety and diversity of compositional forms in the Romantic era. However, many features of the performance style in romantic period require a deeper understanding, especially related to expression features from performer’s perspective. This article examines a number of aspects that correlate with the style of performance in the romantic era. There are three objectives in this article. The first is to correlate compositional works in the romantic era that illustrate the symbiotic relationship between artistic forms and non-musical ideas, especially socio-political sentiments. The second is to review the role of musicology and philosophical perspective in building a structure of knowledge in music performance. The third is to characterize the performance style in romantic era. The methodology of this research is carried out based on a literature study. .....

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This study focuses on the viewpoint of a performer in exploiting the five selected classical guitar repertoires based on artistic research. The aim of this study is to interpret and to perform the five selected classical guitar repertoires in the form of recital. The five selected repertoires include Chaconne BWV 1004 by J.S Bach, Grand Overture Op. 61 by Mauro Giuliani, Suite española, Op. 47: No.1, 3, 4 and 5 by Isaac Albéniz (1860 – 1909), the first and second movement of Concierto de Aranjuez by Joaquín Rodrigo and Una limosna por el amor de dios by Agustin Barrios Mangoré. There are three artistic objectives in this study. The first is to interpret the five selected classical guitar repertoires based on objective features of compositional works in the context of classical guitar performance. The second is to interpret of the five selected classical guitar repertoires based on subjective features of performance perspective in the context of classical guitar perform.....

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